Result

Result
JEAN-JACQUES LEQUEU AND CHARLES DE LA FOSSE CELEBRATED DURING THE SALE OF OLD MASTERS


As Paris honors drawing this March, Aguttes presented, during its "Old Masters" auction on March 28, 2023, at the Hôtel Drouot, a selection of works on paper. An architectural project for a church by Jean-Jacques Lequeu (Rouen, 1757 - 1826, Paris) sparked a memorable bidding battle, reaching up to €110,500*, while the Château de Versailles preempted Charles de La Fosse's (Paris, 1636 – 1716) Allegory of the Peace Treaty between Louis XIV, the Germans, and the Dutch.

 

 
Old Masters
Top 5* of the sale:

1. Lot 90 - Jean-Jacques Lequeu, Architectural Project for a Church - €110,500
2. Lot 70 - French School, after 1840, after Jacques-Louis David, The Death of Marat - €106,600
3. Lot 11 - Attributed to Juan Pantoja de la Cruz, Portrait of a Woman from the Court of Philip III of Spain (1578-1598) - €75,400
4. Lot 67 - First workshop of Jacques-Louis David, Portrait of Antoine-Laurent Lavoisier (1743-1794) and his wife, Marie-Anne-Pierrette Paulze (1758-1836) - €52,000
5. Lot 3 - Italian School of the 16th century, Circle of Perugino, Virgin and Child with Saint John the Baptist - €33,800


View the *complete results of the sale



An auction with 80% new lots:
"Yesterday, my team and I presented this drawing by Jean-Jacques Lequeu. It received many passionate visits in the past few days and soared to €110,500 around 4:30 pm. Victoria Damidot called the seller to announce the news of such a beautiful result. It's a privileged moment in this profession when you announce such a conclusion to sellers, with the feeling of a job well done."
Grégoire Lacroix, Director of the Department of Old Drawings & Paintings
 


Lot 90 - Jean-Jacques Lequeu (Rouen, 1757 - 1826, Paris)
Architectural Project for a Church Pen,
brown and black inks, brown wash
Signed and dated bottom left 1820 / Jean Jacques Lequeu 48.9 x 54.3 cm

Sold for €110,500



This Architectural Project for a Church (lot 90) sparked a spectacular bidding war that led enthusiasts to €110,500. A beautiful recognition for Jean-Jacques Lequeu (Rouen, 1757 - 1826, Paris), an artist long forgotten! Rediscovered in the 1970s, Lequeu left us with a virtuoso and astonishing body of work. At his death in 1826, he had bequeathed almost all of his drawings to the Royal Library, still considered one of the highlights of the Prints and Photography Cabinet of the National Library of France. The exhibition "Jean-Jacques Lequeu, Builder of Fantasies," held from December 11, 2018, to March 31, 2019, at the Petit Palais, paid tribute to the whimsical universe of the artist and his talent. The remarkable sheet discovered by Aguttes testifies to Lequeu's knowledge of geometry, perspective, and his drawing skills, blending into the fantasy of his projects and the originality of his architectural visions. After several professional setbacks, Lequeu, then employed in cadastre, continued to participate in architecture competitions but in vain. "One cannot help but marvel at this wash technique: bistre wash for the antechapel and light gray wash for the chapel. This paper work offers an extraordinary contrast." Grégoire Lacroix, Director of the Department of Old Drawings & Paintings
The Death of Marat (lot 70), a painting from after 1840 attributed to Jacques-Louis David, was another noteworthy discovery. It reappeared in 2009 and was initially considered a preparatory sketch for Jacques-Louis David's (1748 - 1825) grand composition. Bidders competed for it until it reached €106,600. Research conducted last year using scientific methods allowed for dating the work. Various imaging techniques applied to the painting, including visible light photography, raking and ultraviolet, infrared reflectography, and X-ray radiography, revealed the use of lead chromates, as artistic pigments not attested before 1803 - 1804, as well as the use of emerald green and chromium oxide green, not attested before the 1840s.




Lot 70 - French School, after 1840, after Jacques-Louis David
The Death of Marat
Oil on canvas 77 x 91.3
PROVENANCE
Private collection, France.
EXHIBITIONS
Corday against Marat. The discords of history, Domaine de Vizille, Museum of the French Revolution, June 26 - September 29, 2009, as "Jacques-Louis David, The Death of Marat (first version of Marat assassinated), oil on canvas, 1793." Marat assassinated, Brussels, Royal Museums of Fine Arts of Belgium, April 28 - August 7, 2022, p. 10, no. 11 as "Anonymous, The Death of Marat (after David), after 1840, oil on canvas, 72 x 91 cm, France, private collection."
Sold for €106,600



Solving the mystery of dating and its possible attribution to David, the work nonetheless reveals the talent of its true author, confirming the importance and significance of the symbol that David created half a century earlier.
 
Another remarkable discovery from the "Old Masters" department is the Portrait of a Woman from the Court of Philip III of Spain (1578-1598) attributed to Juan Pantoja de la Cruz (Valladolid, 1553 - 1608, Madrid). Known for religious compositions and still lifes, Pantoja gained success as a portraitist. Starting under the reign of Philip II, he painted for the King's court from 1580. This Portrait of a Woman from the Court of Philip III of Spain (lot 11) fetched €75,400 and reflects the dual influence of the artist, officially appointed court painter from 1596: the influence of Coello and Antonio Moro.




Lot 11
Attributed to Juan Pantoja de la Cruz Valladolid, 1553 - 1608, Madrid
Portrait of a Woman from the Court of Philip III of Spain (1578-1598)
Oil on canvas 123.1 x 101.2 cm
Sold for €75,400


As for the first influence, it is expressed through the hieratic pose adopted by his subjects, highlighted by lighting where shadow and light contrast, allowing the nobility of the face to emerge from a generally dark background. As for the second influence, it is found in the meticulousness, especially in the treatment of jewelry.
Among the notable


As for the first influence, it is expressed through the hieratic pose adopted by his subjects, highlighted by lighting where shadow and light contrast, allowing the nobility of the face to emerge from a generally dark background. As for the second influence, it is found in the meticulousness, especially in the treatment of jewelry.

Among the notable auctions, a Portrait of Antoine-Laurent Lavoisier (1743-1794) and his wife, Marie-Anne-Pierrette Paulze (1758-1836) by the first workshop of Jacques-Louis David (lot 67) stood out. Unseen in the art market, this painting, passed down within the descendants of Marie-Anne Lavoisier, was rewarded with €52,000. The technical quality of this rediscovered second version, its almost perfect resemblance to its model, the underlying presence of a grid, and the prolific activity of the important workshop that David led invite us to see the work of a close disciple, such as Boilly (1761 - 1845), Fabre (1766 - 1837), or Girodet (1767 - 1824).

A Virgin and Child with Saint John the Baptist (lot 3) highlighted Italian painting of the 16th century. From the circle of Perugino, this tondo fetched €33,800, double its high estimate.

Preemption by the Château de Versailles:
During this auction, the Château de Versailles preempted a preparatory drawing for the decoration of a gallery at the Château de Choisy by Charles de La Fosse (Lot 41). Thanks to a set of drawings (Würzburg) associated by Bénédicte Gady, curator of the Musée des Arts Décoratifs, with a drawing by Michel II Corneille (Musée des Arts Décoratifs) situating the same scene in a castle gallery, with the mention "Choisy," the link with the Château de Choisy could be deduced.




Lot 41 - Charles de LA FOSSE Paris, 1636 - 1716
Allegory of the Peace Treaty between Louis XIV, the Germans, and the Dutch
Black chalk, red chalk, and highlights of white chalk on blue paper
Signed bottom left "De la Fosse";
Signed bottom right "La Fosse"
50 x 37.5 cm
PROVENANCE
Unknown collection stamp bottom left.
RELATED WORK
Charles de La Fosse, Allegory of the Peace Treaty between Louis XIV, the Germans, and the Dutch, Würzburg, Martin van Wagner Museum der Universität, inv. 9535.
BIBLIOGRAPHY RELATED
Bénédicte Gady, "Variations sur la galerie des Glaces pour le château de Choisy ?", in Bulletin du Centre de Recherche du Château de Versailles, 2018. Online
Clémentine Gustin-Gomez, Charles de La Fosse. 1636 - 1716. Catalogue raisonné, Dijon, Faton, 2006, vol. I, p. 77, D. 149 (related).
Adeline Collange-Perugi, Clémentine Gustin-Gomez, Béatrice Sarrazin (dir.), Charles de La Fosse (1636-1716). Le triomphe de la couleur, Versailles, musée du château, February 24 - May 24, 2015, Nantes, musée des Beaux-Arts, June 19 - September 20, 2015, pp. 128-131, fig. 19a (related; notice by Béatrice Sarrazin).
Sold for €26,000

 

€26,000 rewarded this colorist's sheet, then in the midst of the "Querelle des couleurs" (Quarrel of Colors). La Fosse uses three pencils here - black chalk, red chalk, and white chalk - in the drawing, all on a colored support (blue paper). These elements characterize the work of the artist who exalted color throughout his career. Particularly important in executing decorative programs commissioned by royal authority and often designed by Charles Le Brun, Charles de La Fosse participated in significant decorations such as the ceiling of the Salon d'Apollon at Versailles or part of the decorations of the Cabinet du Couchant at the Grand Trianon. His style also serves as a transition between that of Le Brun and emerging artists like Antoine Watteau, bridging the Grand Siècle style and the 18th century.

REQUEST AN EXPERTISE

Grégoire Lacroix
Directeur du département Tableaux & Dessins anciens
+33 1 47 45 08 19 - lacroix@aguttes.com


Aguttes Neuilly • 164 bis, avenue Charles-de-Gaulle - Neuilly-sur-Seine


*Montants avec frais