KHOURY DIT NIZAM EL MOULK (ACTIF VERS 1925)

Lot 261
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Estimation :
6000 - 8000 EUR
KHOURY DIT NIZAM EL MOULK (ACTIF VERS 1925)
Three-panel screen painted in oil on canvas depicting a scene of a seated couple dressed in Persian style accompanied by a blue servant with an orange turban and a couple playing a lute standing on a tower in the background. Signed, located and dated: Kh. Nizam el Moulk. Paris 1922. Each panel: Height: 176 cm - Width: 60 cm (Small accidents and missing) PROVENANCE Exhibition in October 1922 in the Martine workshop of Paul Poiret. On October 20, 1922, the newspaper L'Intransigeant published in its section on Ar ts : "À propos d'un paravent musulman, par Kh. Nizam El Moulk (at Martine's, faubourg Saint-Honoré). A Tehran newspaper published an article on this remarkable work by the art writer Djemal-Ul-Dine Khan: "Blue vision," wrote the author, "voluptuous vision of the beloved memory of the immense and drunken Islam. An illuminated silence seems to emanate from the immobile figures of the sultans, figures that express the mystery of life always beginning again, of the true life, the one that always lives in the stones of the tombs. Nizam El Moulk, beloved among all the children of Islam, your work makes those who look at you shiver with hope... You express our very life and you try to collect it to transmit it to your brothers. When you are dressed in gold, your face has the charm and the power of the emirs with sumptuous lives. It shines in the light like a torch. You are, with Rabindranath Tagore, alive and pure in the midst of your long, beautiful and painful road." Khoury Nizam El-Moulk is a very mysterious artist whose exact first name we have trouble finding... Khoury being his family name and Nizam El-Moulk the Persian honorific title he uses as a scholar. In the 1920s, he is known as a close collaborator of Paul Poiret (1879 - 1944) for whom he draws a lot. He is quoted in the Parisian press of the time as "Egyptian poet and painter, author of the Ballets Musulmans". Originally from Alexandria in Egypt, he is the son of Youssef Toûma Khoury, a merchant, and Polixéni Asclépiade. In 1921 he married the American writer Dolores Gouraud in Paris. His character style is very loose and fragmentary. The faces and body shapes are only suggested, the hands are often left out. He finds his models in the Ethnological Museum in Persian or Indian miniatures and Egyptian paintings.
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