CHINE — DYNASTIE MING, XVe - XVIe SIÈCLE

Lot 37
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Estimation :
25000 - 35000 EUR
Result with fees
Result : 54 600EUR
CHINE — DYNASTIE MING, XVe - XVIe SIÈCLE
= Important bronze statue with brown patina representing the bodhisattva Manjusri seated in vajraparyankasana on a double lotiform base, hands in vitarka mudra, holding stems of lotus flowers blossoming near the shoulders and supporting attributes, dressed in a fine dhoti and richly adorned with jewels, the serene face surmounted by a flowery crown framing a chignon adorned with a jewel. The base not sealed. H. 40 cm (Small missing parts, wear and tear) PROVENANCE Collection of a former military officer stationed in Indochina, then by descent. NOTE In Sanskrit, the term "bodhisattva" designates the one who has vowed to follow the path indicated by the Buddha and has taken refuge with the Three Jewels (Buddha, Dharma and Sangha). He vows to help sentient beings to awaken and leave the cycle of reincarnations, while progressing towards his own final awakening. Our Bodhisattva Manjushri whose name means "Gracious Glory" is traditionally venerated as the embodiment of Buddhist wisdom ("prajnaparamita") in China as well as in India and Japan. In China, he is closely linked to Mount Wutai ("Mount of the Five Terraces"), a chain of five peaks in Shanxi, which is considered his earthly home. The Chinese were so strongly convinced of his presence there that it became a major Buddhist pilgrimage site as early as the 4th century, with pilgrims flocking from all over China, some even making the journey from India. The popularity of this great bodhisattva reached its peak during the Tang period and continued throughout the following centuries, particularly during the Ming dynasty. The usual iconography shows him seated on a lotus flower or on a lion, adorned with the crown representing the five Buddhas of wisdom. In his hands rests the sword destined to cut through ignorance and in his lap the book of supreme wisdom. To his right is sometimes a roaring lion symbolizing the voice of the Buddhist Law. The statue we propose offers a powerful materiality to the notion of "graceful wisdom" embodied by this figure. Thus if it seems that the passage of time has deprived our Manjusri of his sword, it has in no way altered the nobility of his grace. The serene face, with its delicately hemmed half-closed eyes, the graceful gesture of the hands, the serpentine line of the drapery and the finesse of the ornamentation give this statuette a remarkable refinement and presence. Moreover, unlike early Ming dynasty examples, the statue has not been gilded, see in this sense a Chinese Av alokiteshvara statue in ungilded copper alloy with a Chenghua reign mark (1465 - 1487) sold by Poly International Auctions, Beijing, December 1, 2007, lot 979 (see Michael Henss, Buddhist Art in Tibet, Ulm, 2008, p. 224, fig. 56), and an ungilded copper alloy Chinese Tara statue from the second half of the 15th century sold at Sotheby's Paris, June 11, 2019, lot 24. Close stylistic comparisons with the Chenghua Avalokiteshvara and the Sotheby's Tara confirm that this example dates to the second half of the fifteenth century.
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