CHERUBINI Luigi (1760-1842)

Lot 12
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CHERUBINI Luigi (1760-1842)
L.A.S. " L. Cherubini ", Paris 19 November 1819, to Joseph-Jacques-Marie SAVÈNE fils, in Toulouse; 2 pages ¾ in-4, address. Interesting letter on his religious music, to the organist of the church Saint-Jérôme, in Toulouse. " I thank you infinitely for having informed me of the execution of my mass, which is certainly far from being a masterpiece; all its merit, is in the indulgence of those who heard it. As Superintendent of the King's music, I compose religious music only for his chapel, not otherwise; this is to say to you, Monsieur, that I have no other opportunities than those provided by the necessity of the service of the said chapel, and that I will compose neither a Magnificat nor a motet unless the needs of this service require it. I published at the beginning of the year my Requiem mass which I composed for the anniversary of the death of Louis XVI. It is performed every year at St Denis, the place of the burial of the King of France. I don't know if this publication was known to you. Concerning the movements of the 3 voices mass expressed by Italian words, the word sostenuto in Italian means an almost slow movement, and the musicians who interpreted it this way were right. As for the andante con moto of the Cum Sancto, and more lively than what precedes it, instead of being more serious, because the andante is already of a more accelerated movement than the sostenuto, and the con moto adds a few more degrees of speed. In addition, sir, if you are kind enough to let me know if you have Maelzel's Metronome in Toulouse, I will have the pleasure of sending you the various movements of this mass, precisely regulated according to this regulator. I have taken the habit of marking all my works by the indications of this metronome so that everyone does not take equivocation on the movements "...
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