







ZAO WOU-KI. MICHAUX (Henri).
Annunciation and moments. [Paris], Les Bibliophiles de l'Automobile-Club de France, 1996. In-4, leaves in publisher's cover, folder and slipcase.
Original edition, illustrated with 7 aquatints by Zao Wou-Ki.
Limited edition of 130 copies on BFK de Rives vellum, this one by name for Count Christian Poninski, president of the society.
Enriched with an additional proof of a plate, and 2 autograph documents signed by the painter Zao Wou-Ki, on headed paper bearing his name and that of Françoise Marquet, addressed to Count Poninski:
- A letter dated Paris, 27/4/[19]93, one page in-4°. The painter says he is delighted [with the plan to work on unpublished poems by Michaux], stresses that the poet was a "great friend" and recalls that he introduced him to gallery owner Pierre Loeb when he was starting to paint in Paris in 1950.
- A card dated Paris, 22/4/[19]93, 1 p. in-12 oblong, in which the painter passes on Octavio Paz's address in Mexico.
Annunciation and moments. [Paris], Les Bibliophiles de l'Automobile-Club de France, 1996. In-4, leaves in publisher's cover, folder and slipcase.
Original edition, illustrated with 7 aquatints by Zao Wou-Ki.
Limited edition of 130 copies on BFK de Rives vellum, this one by name for Count Christian Poninski, president of the society.
Enriched with an additional proof of a plate, and 2 autograph documents signed by the painter Zao Wou-Ki, on headed paper bearing his name and that of Françoise Marquet, addressed to Count Poninski:
- A letter dated Paris, 27/4/[19]93, one page in-4°. The painter says he is delighted [with the plan to work on unpublished poems by Michaux], stresses that the poet was a "great friend" and recalls that he introduced him to gallery owner Pierre Loeb when he was starting to paint in Paris in 1950.
- A card dated Paris, 22/4/[19]93, 1 p. in-12 oblong, in which the painter passes on Octavio Paz's address in Mexico.
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