&w=3840&q=75)
&w=3840&q=75)
&w=3840&q=75)
&w=3840&q=75)
&w=3840&q=75)
&w=3840&q=75)
69
MAGRITTE René. (1898-1967).
The item was sold for 1 040 €
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MAGRITTE René (1898-1967).
TAPUSCRIT with autograph additions and corrections, "Depuis le réalisme de Courbet"... | 1 page in-4 corrected in red ballpoint pen.
Very interesting text on painting, extensively corrected. "Since COURBET's realism, painting has "evolved" and "schools" have followed in rapid succession: MONET's impressionism, VAN GOGH's expressionism, MATISSE's fauvism, PICASSO's cubism, MONDRIAN's abstract art". At the bottom of the page, Magritte added in red pencil: "The first sentence could be written as follows: La Peinture n'a cessé d'évoluer depuis le réalisme de Courbet: à l'impressionisme, à l'expressionisme, au fauvisme et au cubisme a succédé l'art abstrait de Mondrian"... The typed text continues, peppered with strikethroughs, replacements and additions: "Yet this so-called 'progress' was in reality a succession of different ways of conceiving the art of painting in its narrowly aesthetic sense: freedom was asserted only with regard to how to paint| and what was painted was of little or no importance. This freedom did not concern reality itself. But the poet's freedom is needed for reality to be at stake"... Etc.
TAPUSCRIT with autograph additions and corrections, "Depuis le réalisme de Courbet"... | 1 page in-4 corrected in red ballpoint pen.
Very interesting text on painting, extensively corrected. "Since COURBET's realism, painting has "evolved" and "schools" have followed in rapid succession: MONET's impressionism, VAN GOGH's expressionism, MATISSE's fauvism, PICASSO's cubism, MONDRIAN's abstract art". At the bottom of the page, Magritte added in red pencil: "The first sentence could be written as follows: La Peinture n'a cessé d'évoluer depuis le réalisme de Courbet: à l'impressionisme, à l'expressionisme, au fauvisme et au cubisme a succédé l'art abstrait de Mondrian"... The typed text continues, peppered with strikethroughs, replacements and additions: "Yet this so-called 'progress' was in reality a succession of different ways of conceiving the art of painting in its narrowly aesthetic sense: freedom was asserted only with regard to how to paint| and what was painted was of little or no importance. This freedom did not concern reality itself. But the poet's freedom is needed for reality to be at stake"... Etc.