ANDRÉ MARFAING (1925 - 1987) - Lot 33

Lot 33
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Estimation :
65000 - 80000 EUR
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Result : 88 400EUR
ANDRÉ MARFAING (1925 - 1987) - Lot 33
ANDRÉ MARFAING (1925 - 1987) Abstraction, 1974 Acrylic on canvas, signed lower right, dated on reverse 115 x 89 cm - 45 9/32 x 35 3/64 in. André Marfaing, born in Toulouse in 1925, began his artistic career after studying law. Impassioned and self-taught, he enrolled on sculpture and painting courses in Toulouse before deciding to leave his home town and settle in the Paris region. Over the years, his path crossed that of eminent figures from the new Paris school, such as Pierre Soulages, Fernand Léger, Maurice Estève, Alfred Manessier, Roger Bissière and Gérard Schneider. These encounters had a considerable influence on his style, which evolved from figuration to abstraction. He created his first abstract work in 1953, laying the foundations for his lifelong quest for a radical and ambivalent painting, a symbol of the ineffable struggle between natural antagonisms. The artist himself described the early years of his research as “Abstract and Matter”. Up until the 60s, his works were characterised by a strong materiality, already favouring the play of contrasts between black and white. The 70s marked a significant turning point, with the abandonment of oils in favour of acrylics. His works became more meditative, minimalist, ascetic and architectural; his gestures became more restrained and controlled. At the end of his life, the canvas became purer, in a kind of asceticism between black and white. Often, the black covers the entire canvas, leaving only a white crack, like a fissure of light. Throughout his life, André Marfaing has remained faithful to a radical conception of abstraction. A tireless explorer, constantly questioning the conflict between light and shadow, fullness and emptiness, nothingness and being, his art is imbued with spirituality. His latest works tend towards an ultimate simplicity, finally reaching that balance where the tension of the line responds to the stable writing of the volumes. Over the last four years, Marfaing's market value has grown exponentially, culminating in 2023 with the remarkable figure of €860,624 for all his works sold on the secondary market, according to Artprice. This success testifies not only to the growing recognition of his talent on the art scene, but also to the growing appeal of his creations among collectors and art lovers. Marfaing's work can be seen at numerous fairs, including Art Paris, FAB, Art Basel, BRAFA, Modern Art Fair and many others. They can also be found in the collections of the Musée d'Art Moderne (MAM) in Paris, the Centre Pompidou, the Fondation Gandour in Geneva, etc. This large (115 x 89 cm) 1974 Abstraction offers a rare insight into the heart of a period that was fundamental to the development of the artist's style. It marks a meditative, minimalist, ascetic and architectural phase for the artist. This piece is distinguished by the rare presence of an ochre background, an unusual choice in Marfaing's palette. At first glance, the observer is struck by the artist's exceptional mastery of gesture. The lines and shapes are meticulously structured, revealing a deep understanding of the balance between full and empty. In the centre of the painting, the pictorial material thickens, creating a focal point that draws attention without detracting from the overall harmony of the composition. Here, Marfaing opts for a subtle interplay of light and shadow, creating a striking visual tension. Ochre and black blend masterfully, evoking a dialogue between the warmth of colour and the depth of darkness. Contemplating this piece, you can't help but feel the spiritual influence that permeates all of Marfaing's work. Each brushstroke seems to be a meditation, a constant exploration of the conflict between light and shadow, between nothingness and being. This 1974 Composition bears witness not only to the artist's technical skill, but also to his ability to achieve a perfect balance in which the tension of the brushstrokes meets the stable writing of the volumes.
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