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3
Henri de TOULOUSE-LAUTREC (1864-1901)
The item was sold for 2 340 €
Fees include commission and taxes.
Henri de TOULOUSE-LAUTREC (1864-1901)
Promenoir, 1899 [Wittrock 307]
Lithograph on Japan paper from the only known edition of 100 copies
Print stamped [Lugt 1838] lower left (Some yellowing and fading, edges stretched by a brown mounting strip on verso, some rubbing)
Lithograph on Japan paper, edition of 100, with the artist's red ink stamp [Lugt 1838] lower left
46 x 35,5 cm (subject) - 18 1/8 x 14 in. (image) 64,5 x 48,5 cm (folio) - 25 3/8 x 19 1/8 in. (sheet)
PROVENANCE Private collection, France "In all the balls, cabarets, café-concerts, circuses and theatres, every evening, according to an established order, Lautrec's pencil fixes the features and silhouettes of all this world of amusement, teeming with free life, and which provides his gifts of 'ruthless' and relentless observation with the best, the liveliest and the most unexpected of his models [? [...] And Lautrec, unceasingly, observes and notes, capturing gestures and movements of his models now so alive, on notebooks, sometimes on scraps of paper drawn from the depths of his pockets."
Édouard Julien, Pour connaître Toulouse-Lautrec,
Imprimerie coopérative du Sud-Ouest,
Albi : 1953, p. 14
This work was described by Mrs Sylvie
Collignon (T. +33 (0)1 42 96 12 17).
Promenoir, 1899 [Wittrock 307]
Lithograph on Japan paper from the only known edition of 100 copies
Print stamped [Lugt 1838] lower left (Some yellowing and fading, edges stretched by a brown mounting strip on verso, some rubbing)
Lithograph on Japan paper, edition of 100, with the artist's red ink stamp [Lugt 1838] lower left
46 x 35,5 cm (subject) - 18 1/8 x 14 in. (image) 64,5 x 48,5 cm (folio) - 25 3/8 x 19 1/8 in. (sheet)
PROVENANCE Private collection, France "In all the balls, cabarets, café-concerts, circuses and theatres, every evening, according to an established order, Lautrec's pencil fixes the features and silhouettes of all this world of amusement, teeming with free life, and which provides his gifts of 'ruthless' and relentless observation with the best, the liveliest and the most unexpected of his models [? [...] And Lautrec, unceasingly, observes and notes, capturing gestures and movements of his models now so alive, on notebooks, sometimes on scraps of paper drawn from the depths of his pockets."
Édouard Julien, Pour connaître Toulouse-Lautrec,
Imprimerie coopérative du Sud-Ouest,
Albi : 1953, p. 14
This work was described by Mrs Sylvie
Collignon (T. +33 (0)1 42 96 12 17).