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Manuscrits sur le spectacle dédiés à Bertolt Brecht et au compositeur Kurt

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Manuscripts on the show dedicated to Bertolt Brecht and the composer Kurt Weill. 18 handwritten covers in ink and pencil and typescript
Adaptations of Boris Vian never validated for families, recorded once in 1957 by Catherine Sauvage.
Kurt Weill's music, considered by the Nazis as Jewish, earned him the right to have his scores burned.