&w=3840&q=75)
&w=3840&q=75)
&w=3840&q=75)
&w=3840&q=75)
&w=3840&q=75)
&w=3840&q=75)
VIAN Boris
- Two hours of glue, autograph manuscript8 sheets in-4 with ballpoint pen with original drawings.unpublished text.
- The dog. Le petit Philippe et le cantonnier, autograph manuscript10 perforated in-4 pagesTexte autographe et tapuscrit mêlés. Titled by Boris Vian "Histoire simplifiée de la fabrication d'un disque" (Simplified history of the making of a record), a typescript of the same text is attached without corrections.
- Projets et idées d'émissions, autograph manuscript6 pages in-4 and in-8 with essays of signatures and small drawings.unpublished.
- Conseil de révision [des opinions], autograph manuscript [1958]. 4 pages in-4 in ballpoint pen.laudatory text on Paul Anka. Text for the Canard Enchaîné (29/10/58) published in La Belle Epoque.
- Ladies, Gentlemen and dear citizens of the thirteenth and a half arrondissement, autograph manuscripts [1957]. 10 pages in-4 in ink.
- Subject Congress of Representatives. Typescript of 4 pages in-4. 7 autograph pages in blue ink relating to Jazz. The set in an orange cardboard sleeve titled "Congrès des représentants 20/9/57".
- Fragments of an article on the Brasier signed Claude Varnier (one of Boris Vian's pseudonyms)14 pages in-4 in purple ink.passages biffés, incomplete text on Vian's automobile, the Brasier Torpédo 1919. These are fragments of two articles published in La Belle Epoque on the Brasier.
- Article on the Cabaret, autograph manuscript13 pages in-4 in violet ink: "For several years now, between the so-called avant-garde cabaret and the traditional show of chansonniers, the same gap has widened between the machine gun and the traditional single-shot rifle [...]".unpublished text.
- War between the two record companies, autograph manuscript3 pages in-4 in ink"[...]....] Always betraying and who doesn't know that Rock and Roll are associated [...]".Unpublished text.
- Program on variety singers, autograph manuscript29 pages in-4 in inkUnpublished.
- L
- Two hours of glue, autograph manuscript8 sheets in-4 with ballpoint pen with original drawings.unpublished text.
- The dog. Le petit Philippe et le cantonnier, autograph manuscript10 perforated in-4 pagesTexte autographe et tapuscrit mêlés. Titled by Boris Vian "Histoire simplifiée de la fabrication d'un disque" (Simplified history of the making of a record), a typescript of the same text is attached without corrections.
- Projets et idées d'émissions, autograph manuscript6 pages in-4 and in-8 with essays of signatures and small drawings.unpublished.
- Conseil de révision [des opinions], autograph manuscript [1958]. 4 pages in-4 in ballpoint pen.laudatory text on Paul Anka. Text for the Canard Enchaîné (29/10/58) published in La Belle Epoque.
- Ladies, Gentlemen and dear citizens of the thirteenth and a half arrondissement, autograph manuscripts [1957]. 10 pages in-4 in ink.
- Subject Congress of Representatives. Typescript of 4 pages in-4. 7 autograph pages in blue ink relating to Jazz. The set in an orange cardboard sleeve titled "Congrès des représentants 20/9/57".
- Fragments of an article on the Brasier signed Claude Varnier (one of Boris Vian's pseudonyms)14 pages in-4 in purple ink.passages biffés, incomplete text on Vian's automobile, the Brasier Torpédo 1919. These are fragments of two articles published in La Belle Epoque on the Brasier.
- Article on the Cabaret, autograph manuscript13 pages in-4 in violet ink: "For several years now, between the so-called avant-garde cabaret and the traditional show of chansonniers, the same gap has widened between the machine gun and the traditional single-shot rifle [...]".unpublished text.
- War between the two record companies, autograph manuscript3 pages in-4 in ink"[...]....] Always betraying and who doesn't know that Rock and Roll are associated [...]".Unpublished text.
- Program on variety singers, autograph manuscript29 pages in-4 in inkUnpublished.
- L