

VIAN Boris
- Camille Bombois, autograph manuscript [1952]. 9 pages in-4 in ballpoint pen. Beautiful text dedicated to the naive painter Camille Bombois.appeared in "Du" n°5 of 1952 then in La Belle époque.
- Avis aux amateurs, autograph manuscript [1958], 5 pages in-4 in blue ink.text rightly discouraging the apprentice singers intended for the Canard Enchaîné, which will appear in La Belle époque.
- Billet de confession, typed 5 pages in-4 in blue ink. About an article published in the American magazine Life. Text intended for La Rue and published in La Belle Epoque.
- Abondance de biens, autograph manuscript4 pages in-4 in blue ink. Text about musical events such as the comebacks of Henri Salvador, Raymond Devos, Serge Gainsbourg, etc. Text intended for the Canard Enchaîné and published in La Belle Epoque.
- On tourism, autograph manuscript9 pages in-4 in purple ink. "...] The Frenchman only begins to feel truly French abroad [...]".Unpublished text.
- La Courtoisie ou Faut-il être courtois, autograph manuscript [1959]. 13 sheets in-4 in pencil and ink. "...] The real solution is not to be courteous, it is to be kind".Manuscript probably incomplete. Appeared in Constellation n°132 of April 1959 and in La Belle Epoque.
- La ligne Maginot, autograph manuscript6 pages stapled in-4 in purple ink. On the road to the Maginot line. Unpublished text.
- Amélioration de Paris, autograph manuscript2 pages in-4 and 8 pages in-16 in pencil. "...] I don't know what rage is currently driving out of the earth countless extremely high buildings where there was still a chance to see trees growing one day...".Published in Obliques.
- Le prix d'un parlementaire, typescript [1953]. Published in La Parisienne n°5 of 1953 and in Texts et chansons.
- Haro sur les gâcheurs, typescript with some autograph corrections [1954]. 2 pages ¼ in-4. Text about bombers who, according to Vian, have the wrong target. Appeared in La Parisienne of February 1954
- Camille Bombois, autograph manuscript [1952]. 9 pages in-4 in ballpoint pen. Beautiful text dedicated to the naive painter Camille Bombois.appeared in "Du" n°5 of 1952 then in La Belle époque.
- Avis aux amateurs, autograph manuscript [1958], 5 pages in-4 in blue ink.text rightly discouraging the apprentice singers intended for the Canard Enchaîné, which will appear in La Belle époque.
- Billet de confession, typed 5 pages in-4 in blue ink. About an article published in the American magazine Life. Text intended for La Rue and published in La Belle Epoque.
- Abondance de biens, autograph manuscript4 pages in-4 in blue ink. Text about musical events such as the comebacks of Henri Salvador, Raymond Devos, Serge Gainsbourg, etc. Text intended for the Canard Enchaîné and published in La Belle Epoque.
- On tourism, autograph manuscript9 pages in-4 in purple ink. "...] The Frenchman only begins to feel truly French abroad [...]".Unpublished text.
- La Courtoisie ou Faut-il être courtois, autograph manuscript [1959]. 13 sheets in-4 in pencil and ink. "...] The real solution is not to be courteous, it is to be kind".Manuscript probably incomplete. Appeared in Constellation n°132 of April 1959 and in La Belle Epoque.
- La ligne Maginot, autograph manuscript6 pages stapled in-4 in purple ink. On the road to the Maginot line. Unpublished text.
- Amélioration de Paris, autograph manuscript2 pages in-4 and 8 pages in-16 in pencil. "...] I don't know what rage is currently driving out of the earth countless extremely high buildings where there was still a chance to see trees growing one day...".Published in Obliques.
- Le prix d'un parlementaire, typescript [1953]. Published in La Parisienne n°5 of 1953 and in Texts et chansons.
- Haro sur les gâcheurs, typescript with some autograph corrections [1954]. 2 pages ¼ in-4. Text about bombers who, according to Vian, have the wrong target. Appeared in La Parisienne of February 1954
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