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7
Alix AYMÉ (1894-1989)
The item was sold for 26 000 €
Fees include commission and taxes.
Alix AYMÉ (1894-1989)
Offrandes dans un temple de Yunnan Fu, circa 1928
Huile sur carton, signée en bas à droite
53 x 38 cm -20 7/8 x 14 15/16 in.
Oil on cardboard, signed lower right
Un certificat d'authenticité rédigé par Pascal Lacombe, président de l'Association des Amis d'Alix Aymé, en date du 6 août 2020 indiquant l'insertion de cette oeuvre au catalogue raisonné en ligne sera remis à l'acquéreur
This work, characteristic of the artist, as much by its palette as by its touch or even its medium, fully illustrates the artist's passion for the Asian continent. The precision it brings to the décor through these column patterns, statues, or even the clothing of the monks' allows us to identify the temple of Yuantong in Yunnan Fu in China (today Kunming in the province of Yunnan), a region she has visited many times.
Although the artist used to paint studies on the motif during her travels and then flesh out her ideas back in Hanoi, the quality of the painting as well as the presence of the signature suggests that this painting corresponds to a work in its own right, sold as is by the artist.
Offrandes dans un temple de Yunnan Fu, circa 1928
Huile sur carton, signée en bas à droite
53 x 38 cm -20 7/8 x 14 15/16 in.
Oil on cardboard, signed lower right
Un certificat d'authenticité rédigé par Pascal Lacombe, président de l'Association des Amis d'Alix Aymé, en date du 6 août 2020 indiquant l'insertion de cette oeuvre au catalogue raisonné en ligne sera remis à l'acquéreur
This work, characteristic of the artist, as much by its palette as by its touch or even its medium, fully illustrates the artist's passion for the Asian continent. The precision it brings to the décor through these column patterns, statues, or even the clothing of the monks' allows us to identify the temple of Yuantong in Yunnan Fu in China (today Kunming in the province of Yunnan), a region she has visited many times.
Although the artist used to paint studies on the motif during her travels and then flesh out her ideas back in Hanoi, the quality of the painting as well as the presence of the signature suggests that this painting corresponds to a work in its own right, sold as is by the artist.