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197
HAUSMANN RAOUL (1886-1971)
The item was sold for 520 €
Fees include commission and taxes.
HAUSMANN RAOUL (1886-1971)
L.S. "Hausmann", Limoges, December 29, 1963, to Pierre GARNIER| 1 in-4 typed page, signed in pencil| in French.
On his phonetic poems, with a beautiful calligrammatic signature.
He thanked him for the six copies of the Letters.
"By carefully studying the various statements, I naturally find PETRONIO's most important one, especially, if we compare it with his text in Cinquieme
Saison. As for your explanation of the loudness, I would like to point out to you that I was in correspondence with Carlfriedrich CLAUS for months in 1960 and that I was sending him the sheet, a copy of which I am attaching to you.
It goes without saying that SCHWITTERS and I were very good reciters and that I had always based my phonetic poems on the breath. It comes from the fact that I have an extraordinary breath, and if I used TZARA's expression "the poem is made in the mouth", I simply thought "by the breath". I never "composed" my phonemes on paper. But, I think, I gave an explanation in my text on Skopophonotomy. So, long live the breath!".....
The black pencil signature forms an arabesque on which are inscribed the letters of his name.
L.S. "Hausmann", Limoges, December 29, 1963, to Pierre GARNIER| 1 in-4 typed page, signed in pencil| in French.
On his phonetic poems, with a beautiful calligrammatic signature.
He thanked him for the six copies of the Letters.
"By carefully studying the various statements, I naturally find PETRONIO's most important one, especially, if we compare it with his text in Cinquieme
Saison. As for your explanation of the loudness, I would like to point out to you that I was in correspondence with Carlfriedrich CLAUS for months in 1960 and that I was sending him the sheet, a copy of which I am attaching to you.
It goes without saying that SCHWITTERS and I were very good reciters and that I had always based my phonetic poems on the breath. It comes from the fact that I have an extraordinary breath, and if I used TZARA's expression "the poem is made in the mouth", I simply thought "by the breath". I never "composed" my phonemes on paper. But, I think, I gave an explanation in my text on Skopophonotomy. So, long live the breath!".....
The black pencil signature forms an arabesque on which are inscribed the letters of his name.