Aguttes

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Oil on panel , signed lower right , 40 x 68 cm – 16 3/8 x 27 1/8 in.Oil on panel, signed lower right

Reclining female nude

LÉON DEVOS (1897–1974)

Huile sur panneau Signée en bas à droite 40 x 68 cm - 16 3/8 x 27 1/8 in.Oil on panel, signed lower right

Nu féminin couché

LÉON DEVOS (1897-1974)

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Drypoint on wove paper Signed in pencil lower right Numbered 35 lower left ‘Kiyoshi Hasegawa’ blindstamp in the lower right margin (Minor foxing in the margins) 43.5 x 32 cm - 17 1/8 x 12 5/8 in.&nbsp; Drypoint on wove paper, signed in pencil lower right, numbered out of 35 lower left, marked with the ‘Kiyoshi Hasegawa’ blindstamp in the lower right margin

Standing communicant

KIYOSHI HASEGAWA (1891–1980)

Pointe sèche sur papier vélin&nbsp; Signée au crayon en bas à droite Numérotée sur 35 en bas à gauche Timbre sec ‘Kiyoshi Hasegawa’ dans la marge en bas à droite (Infimes rousseurs dans les marges) 43,5 x 32 cm - 17 1/8 x 12 5/8 in.&nbsp; Drypoint on wove paper, signed with pencil lower right, numbered of 35 lower left, marked with the ‘Kiyoshi Hasegawa’ blindstamp on the lower right margin

Communiante debout

KIYOSHI HASEGAWA (1891-1980)

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Graphite and stump on paper Signed, dated ‘[19]43’ and inscribed ‘à la Comtesse de la Rochefoucauld/amicalement’ lower right (Yellowing, stains and mat mark) 22.5 x 32.8 cm - 8 7/8 x 12 7/8 in.Graphite and stump on paper, signed, dated ‘[19]43’ and inscribed ‘à la Comtesse de la Rochefoucauld/amicalement’ lower right

Walkers on a path and houses behind the trees, 1943

ADOLPHE MOURON CASSANDRE (1901–1968)

Mine de plomb et estompe sur papier Signée, datée ‘[19]43’ et dédicacée ‘à la Comtesse de la Rochefoucauld/amicalement' en bas à droite (Jaunie, taches et marque de passe-partout) 22,5 x 32,8 cm - 8 7/8 x 12 7/8 in.Graphite and stump on paper, signed, dated ‘[19]43’ and dedicated ‘à la Comtesse de la Rochefoucauld/amicalement' lower right

Promeneurs sur un sentier et maisons derrière les arbres, 1943

ADOLPHE MOURON CASSANDRE (1901-1968)

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Oil on canvas , signed and dated ‘1921’ lower left 54.5 x 46 cm - 21 1/2 x 18 1/8 in.Oil on canvas, signed and dated ‘1921’ lower left

Portrait of a Young Girl, 1921

ÁNGEL ZÁRRAGA (1886–1946)

Huile sur toile Signée et datée ‘1921’ en bas à gauche 54.5 x 46 cm - 21 1/2 x 18 1/8 in.Oil on canvas, signed and dated ‘1921’ lower left

Portrait de fillette, 1921

ÁNGEL ZÁRRAGA (1886-1946)

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Oil on panel , signed and dated ‘Alost’ in the lower left corner, dedicated to the model’s family on the reverse (some varnish flaking and soiling) 52 x 50 cm - 20 1/2 x 20 in. &nbsp;

A mother breastfeeding her child, circa 1942

RENÉ DE PAUW (1887–1946)

Huile sur panneau Signée et située ‘Alost' en bas à gauche Dédicacée à la famille du modèle au dos (Chanci de vernis et salissures) 52 x 50 cm - 20 1/2 x 20 in. Oil on panel, signed and located ‘Alost’ lower left, dedicated to the family of the model on the reverse

Mère allaitant son enfant, vers 1942

RENÉ DE PAUW (1887-1946)

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Ink on notebook page, signed and dedicated ‘to Lise Élina’ in the lower right-hand corner 19.7 x 14 cm – 7 ¾ x 5 ½ in.

Untitled or Ideograms

MAX ERNST (1891–1976)

Encre sur page de carnet Dédicacée ‘à Lise Élina’ et signée vers le bas à droite 19,7 x 14 cm - 7 ¾ x 5 ½ in.&nbsp; Ink on notebook page, signed and dedicated ‘à Lise Élina’ lower right

Sans titre ou Idéogrammes

MAX ERNST (1891-1976)

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Graphite on paper , signed lower right 21 x 20 cm - 8 1/4 x 7 7/8 in.

Study for the tribute to the Marquis de Sade, 1949

HANS BELLMER (1902–1975)

Mine de plomb sur papier Signée en bas à droite 21 x 20 cm - 8 1/4 x 7 7/8 in.&nbsp; Graphite on paper, signed lower right

Étude pour l'hommage au Marquis de Sade, 1949

HANS BELLMER (1902-1975)

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Graphite on paper mounted on cardboard , signed lower right 20 x 17.5 cm - 7 7/8 x 6 7/8 in.Graphite on paper laid on cardboard, signed lower right

Self-portrait by the painter

PIERRE TAL COAT (1905–1985)

Mine de plomb sur papier marouflé sur carton Signée en bas à droite 20 x 17,5 cm - 7 7/8 x 6 7/8 in.Graphite on paper laid on carboard, signed lower right

Portrait du peintre par lui-même

PIERRE TAL COAT (1905-1985)

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Gouache and graphite on coloured paper Signed with initials and dated ‘[19]32’ in the lower right-hand corner A charcoal and stump study on the reverse 25 x 32.5 cm - 9 7/8 x 12 ¾ in.&nbsp; A notice of inclusion in the Comité Léger archives, dated 31 March 2026, will be provided to the purchaser. Gouache and graphite on toned paper, signed with the artist’s initials lower right; a black chalk and stump study on the reverse

Flower Arrangement, 1932

FERNAND LÉGER (1881–1955)

Gouache et mine de plomb sur papier coloré Signée des initiales et datée ‘[19]32’ en bas à droite Une étude au fusain et estompe au dos 25 x 32,5 cm - 9 7/8 x 12 ¾ in.&nbsp; Un avis d'inclusion dans les archives du Comité Léger, en date du 31 mars 2026, sera remis à l'acquéreur. Gouache and graphite on toned paper, signed with the artist's initials lower right; a black chalk and stump study on the reverse

Composition à la fleur, 1932

FERNAND LÉGER (1881-1955)

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Pastel, charcoal, red chalk and graphite on paper , signed lower left (Restored) 53.5 x 68 cm – 21 x 25 3/4 in. Pastel, black chalk, red chalk and graphite on paper, signed lower left

Naked Dancers or At the Cabaret

EDGAR SCAUFLAIRE (1893–1960)

Pastel, fusain, sanguine et mine de plomb sur papier Signé en bas à gauche (Restauration) 53,5 x 68 cm - 21 x 25 3/4 in. Pastel, black chalk, red chalk and graphite on paper, signed lower left

Danseuses nues ou Au cabaret

EDGAR SCAUFLAIRE (1893-1960)

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Oil on hardboard , signed lower right , 54 x 72 cm – 21 1/4 x 29 1/8 in.Oil on hardboard, signed lower right

Still Life with Bottles and a Flask

Huile sur isorel Signée en bas à droite 54 x 72 cm - 21 1/4 x 29 1/8 in.Oil on hardboard, signed lower right

Nature morte aux bouteilles et flacon

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Oil on hardboard , signed lower left , 50 x 60 cm – 19 ¾ x 23 5/8 in.Oil on hardboard, signed lower left

A street in winter

ALBERT SAVERYS (1886–1964)

Huile sur isorel Signée en bas à gauche 50 x 60 cm - 19 ¾ x 23 5/8 in.Oil on hardboard, signed lower left

Rue en hiver

ALBERT SAVERYS (1886-1964)

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Oil on canvas-backed hardboard, signed lower right 19.5 x 34.5 cm – 7 5/8 x 13 5/8 in. Mr Pierre Guénégan has confirmed the authenticity of this work. Oil on canvas-backed hardboard, signed lower right&nbsp;

Landscape

SERGE CHARCHOUNE (1888–1975)

Huile sur isorel toilé Signée en bas à droite 19,5 x 34,5 cm - 7 5/8 x 13 5/8 in.&nbsp; Monsieur Pierre Guénégan a confirmé l'authenticité de cette œuvre.&nbsp; Oil on canvassed hardboard, signed lower right&nbsp;

Paysage

SERGE CHARCHOUNE (1888-1975)

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Oil on canvas , signed lower right , titled, dated ‘1978’ and signed again on the reverse 50 x 64.5 cm - 19 3/4 x 25 3/8 in. &nbsp;

Reclining Nude, 1978

ANDRÉ COTTAVOZ (1922–2012)

Huile sur toile Signée en bas à droite Titrée, datée '1978' et signée une seconde fois au dos 50 x 64,5 cm - 19 3/4 x 25 3/8 in. OIl on canvas, signed lower right, titled, dated ‘1978’ and signed again on the reverse

Nu couché, 1978

ANDRÉ COTTAVOZ (1922-2012)

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Oil on canvas , trace of a signature lower right 54 x 65 cm - 21 ¼ x 25 5/8 in.

In the foyer of the Opera House

ATTRIBUTED TO MARCEL COSSON (1878–1956)

Huile sur toile Trace de signature en bas à vers la droite 54 x 65 cm - 21 ¼ x 25 5/8 in.&nbsp; Oil on canvas, trace of a signature lower right

Au foyer de l'Opéra

ATTRIBUÉ À MARCEL COSSON (1878-1956)

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Gouache and watercolour on paper , signed and dated ‘[19]27’ lower right (slightly yellowed and with foxing) 53.5 x 47 cm - 21 x 18 1/2 in. A certificate of authenticity by Mr Jacques Bailly, dated 18 May 2026, will be provided to the buyer.&nbsp; Gouache and watercolour on paper, signed and dated ‘[19]27’ lower right

The Horsemen, 1927

JEAN DUFY (1888–1964)

Gouache et aquarelle sur papier Signée et datée ‘[19]27’ en bas à droite (Légèrement jaunie et rousseurs) 53,5 x 47 cm - 21 x 18 1/2 in. Un certificat d'authenticité de Monsieur Jacques Bailly, en date du 18 mai 2026, sera remis à l'acquéreur.&nbsp; Gouache and watercolor on paper, signed and dated ‘[19]27’ lower right

Les cavaliers, 1927

JEAN DUFY (1888-1964)

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Oil on canvas Signed lower left Titled on the reverse 33 x 41 cm - 13 x 16 1/8 in. Mr Patrick Bongers has confirmed the authenticity of this work, which is listed in the catalogue raisonné currently being prepared by Éditions Louis Carré & Cie. Two certificates, dated 18 March 1982 and 23 May 2025, will be provided to the purchaser. Oil on canvas, signed lower left, titled on the reverse

The Trained Horse, 1943

JACQUES VILLON (1875–1963)

Huile sur toile&nbsp; Signée vers le bas à gauche Titrée au dos&nbsp; 33 x 41 cm - 13 x 16 1/8 in. Monsieur Patrick Bongers a confirmé l'authenticité de cette œuvre qui est répertoriée dans le catalogue raisonné en préparation aux Éditions Louis Carré & Cie. Deux certificats, en dates des 18 mars 1982 et 23 mai 2025, seront remis à l'acquéreur. Oil on canvas, signed lower left, titled on the reverse

Le cheval savant, 1943

JACQUES VILLON (1875-1963)

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Oil on canvas , signed lower right (re-stretched and previously restored) 146 x 89 cm - 57 ½ x 35 in.

Salomé

PIERRE AMÉDÉE MARCEL-BÉRONNEAU (1869–1937)

Huile sur toile Signée en bas à droite (Rentoilage et restaurations anciennes) 146 x 89 cm&nbsp;- 57 ½ x 35 in.&nbsp; Oil on canvas, signed lower right

PIERRE AMÉDÉE MARCEL-BÉRONNEAU (1869-1937)

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Collage on paper , unsigned , inscribed ‘Roger Cornaille’ on the backing board of the frame 48 x 45 cm - 18 7/8 x 17 ¾ in.&nbsp;Surrealist collage on paper, unsigned, inscribed ‘Roger Cornaille’ on the backing board of the frame

Surrealist composition

ROGER CORNAILLE (1919–2000)

Collage sur papier Non signé Annoté ‘Roger Cornaille’ sur le carton de fond de l'encadrement 48 x 45 cm - 18 7/8 x 17 ¾ in.&nbsp;Surrealist collage on paper, unsigned, dedicated ‘Roger Cornaille’ on the backing board of the frame

Composition surréaliste

ROGER CORNAILLE (1919-2000)

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Bronze with dark grey patina, signed and numbered out of 8, bearing the foundry mark ‘Rosini’ 71.5 x 45.5 x 41 cm - 28 1/8 x 17 7/8 x 16 1/8 in.&nbsp; A certificate of authenticity from the Antoniucci Volti Estate, dated 8 July 2024, will be provided to the buyer. Bronze with dark grey patina, signed and numbered out of 8 with the ‘Rosini’ foundry mark&nbsp;

Maternity and baby (large size)

ANTONIUCCI VOLTI (1915–1989)

Bronze à patine gris foncé Signé et numéroté sur 8 avec le cachet de fondeur ‘Rosini’ 71,5 x 45,5 x 41 cm - 28 1/8 x 17 7/8 x 16 1/8 in.&nbsp; Un certificat d'authenticité de l'Indivision Antoniucci Volti, en date du 8 juillet 2024, sera remis à l'acquéreur. Bronze with dark grey patina, signed and numbered out of 8 with the ‘Rosini’ foundry mark&nbsp;

Maternité au poupon (grand modèle)

ANTONIUCCI VOLTI (1915-1989)

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Tempera on textile with embroidered floral silk borders, signed lower right (Some flaking and minor losses of paint) 75.5 x 50 cm (excluding borders) – 29 ¾ x 20 in. (excluding silk borders) Tempera on textile with embroidered floral silk borders, signed lower right

Krishna playing the flute (Venugopala)

LOUISE JANIN (1893–1997)

Détrempe sur textile bordé de soie brodée de fleurs Signée en bas à droite&nbsp; (Soulèvements et infimes lacunes de couche picturale) 75,5 x 50 cm (hors bordure) - 29 ¾ x 20 in. (excluding silk borders) Tempera on textile with embroidered floral silk borders, signed lower right

Krishna jouant de la flûte (Venugopala)

LOUISE JANIN (1893-1997)

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India ink and wash on paper , signed lower right (with minor foxing) 38 x 27 cm – 15 x 10 5/8 in. A certificate of authenticity from Mr Richard Overstreet will be provided to the buyer.

Couple

LEONOR FINI (1908–1996)

Encre et lavis d'encre de Chine sur papier Signée en bas à droite (Petites rousseurs) 38 x 27 cm - 15 x 10 5/8 in. Un certificat d'authenticité de Monsieur Richard Overstreet sera remis à l'acquéreur.&nbsp; India ink and wash on paper, signed lower right

LEONOR FINI (1908-1996)

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Oil on canvas Signed and dated ‘[19]77-[19]78’ lower right Titled, dated ‘[19]77-[19]78’ and signed again on the reverse (Small areas where the paint has flaked off) 115.5 x 60 cm - 45 1/2 x 23 5/8 in.Oil on canvas, signed and dated ‘[19]77-[19]78’ lower right; titled, dated ‘[19]77-[19]78’ and signed again on the reverse

The Good Samaritan

MICHEL CIRY (1919–2018)

Huile sur toile Signée et datée ‘[19]77-[19]78' en bas à droite Titrée, datée ‘[19]77-[19]78' et signée une seconde fois au dos (Petites lacunes de couche picturale) 115,5 x 60 cm - 45 1/2 x 23 5/8 in.Oil on canvas, signed and dated ‘[19]77-[19]78' lower right; titled, dated ‘[19]77-[19]78' and signed again on the reverse

Le Bon Samaritain

MICHEL CIRY (1919-2018)

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Bronze with a brown patina , signed and numbered out of 6 with the Godard foundry mark, 22 x 18 x 13 cm – 8 5/8 x 7 1/8 x 5 1/8 in. A certificate by Mr Edmond Moirignot, dated 30 January 1982, will be provided to the purchaser.&nbsp;Bronze with dark brown patina, signed, stamped with the ‘Godard’ foundry mark and numbered out of 6

The Little Greek Fisherman or The Line Fisherman

EDMOND MOIRIGNOT (1913–2002)

Bronze à patine brune Signé et numéroté sur 6&nbsp;avec le cachet de fondeur Godard 22 x 18 x 13 cm -&nbsp;8 5/8 x 7 1/8 x 5 1/8 in. Un certificat de Monsieur Edmond Moirignot, en date du 30 janvier 1982, sera remis à l'acquéreur.&nbsp;Bronze with dark brown patina, signed, stamped with the ‘Godard’ foundry mark and numbered of 6

Art impressionniste & moderne

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