LÊ PHỔ (1907-2001) Flowers Oil on canvas, signed lower left 101 x 65.5 cm - 39 3/4 x 25 3/4 in. Oil on canvas, signed lower left Provenance: Wally F Galleries, New York, Inv. no. 42266 Private collection, USA (acquired from previous owner) Private collection Good condition General good condition The legacy of Pierre Bonnard and Henri Matisse is essential to Lê Phô's career. Portraits of these two artists hung in his studio. He considers them to be the true guardians of his art. The presence of Matisse's name on this canvas is not insignificant, as this tribute testifies to his admiration for the Fauvist painter. The two artists met in 1943 in Vence. Their exchanges marked the beginning of a new aesthetic and artistic reflection for Lê Phô. The painter was quickly influenced by Post-Impressionist art, adopting its main characteristics and blending them with a personal, Vietnamese aesthetic. His palette became lighter, and broad flat tints of color were increasingly present in his canvases. The transcription of light evolves thanks to dazzling colors and is intimately linked to the emotion he wishes to evoke. He is aware of its importance when contemplating a work of art. As a result, Lê Phô leaves more room for the effects of light and the liveliness of his touch, as in the porcelain gu vase and the anemone petals. For example, the white flowers are revealed in a gradation ranging from mother-of-pearl to light pink, while the darker flowers are suggested by more dynamic strokes. - The legacy of Pierre Bonnard and Henri Matisse is essential to Lê Phô's career. Portraits of these two artists hung in his studio. He considers them to be the true guardians of his art. The presence of Matisse's name on this canvas is not insignificant, as this tribute testifies to his admiration for the Fauvist painter. The two artists met in 1943 in Vence. Their exchanges marked the beginning of a new aesthetic and artistic reflection for Lê Phô. The painter was quickly influenced by Post-Impressionist art, adopting its main characteristics and blending them with a personal, Vietnamese aesthetic. His palette became lighter, and broad flat tints of color were increasingly present in his canvases. The transcription of light evolves thanks to dazzling colors and is intimately linked to the emotion he wishes to evoke. He is aware of its importance when contemplating a work of art. As a result, Lê Phô leaves more room for the effects of light and the liveliness of his touch, as in the porcelain gu vase and the anemone petals. For example, the white flowers are revealed in a gradation ranging from mother-of-pearl to light pink, while the darker flowers are suggested by more dynamic strokes.

LÊ PHỔ (1907-2001) 花卉 布面油画，左下方有签名 101 x 65.5 厘米 - 39 3/4 x 25 3/4 英寸。 布面油画，左下方有签名 出处： Wally F Galleries，纽约，发票号 42266 美国私人收藏（从前者手中购得） 私人收藏 状况良好 总体状况良好 皮埃尔-博纳尔（Pierre Bonnard）和亨利-马蒂斯（Henri Matisse）的遗产对 Lê Phô 的艺术生涯至关重要。这两位艺术家的肖像就挂在他的工作室里。他认为他们是自己艺术的真正守护者。马蒂斯的名字出现在这幅画布上并非无关紧要，因为这是他对野兽派画家的钦佩。 两位艺术家于 1943 年在旺斯相遇。他们的交流标志着 Lê Phô 新的美学和艺术思考的开始。画家很快受到后印象派艺术的影响，并吸收了其主要特征，将其与越南的个人美学相融合。 他的调色板变得更浅，宽阔平淡的色调越来越多地出现在他的画布上。光的摹写因炫目的色彩而演变，并与他希望唤起的情感紧密相连。在欣赏艺术作品时，他开始意识到光线的重要性。因此，Lê Phô为光的效果和他的触觉留下了更多的空间，如瓷质顾瓶和海葵花瓣。例如，白色的花朵呈现出从珍珠母到浅粉色的色调，而深色的花朵则以更具动感的笔触表现出来。 - 皮埃尔-波纳尔（Pierre Bonnard）和亨利-马蒂斯（Henri Matisse）的遗产对 Lê Phô 的艺术生涯至关重要。这两位艺术家的肖像就挂在他的工作室里。他认为这两位艺术家是自己艺术的真正守护者。马蒂斯的名字出现在这幅画布上并非无足轻重，因为这幅作品证明了他对这位野兽派画家的钦佩之情。 两位艺术家于 1943 年在旺斯相遇。他们的交流标志着 Lê Phô 新的美学和艺术思考的开始。画家很快受到后印象派艺术的影响，采用了后印象派艺术的主要特征，并将其与个人的越南美学相融合。 他的调色板变得更浅，宽阔平淡的色调越来越多地出现在他的画布上。光的摹写因炫目的色彩而演变，并与他希望唤起的情感紧密相连。他深知在欣赏一件艺术作品时，光线的重要性。因此，Lê Phô为光的效果和他的触觉留下了更多的空间，如瓷质顾瓶和海葵花瓣。例如，白色的花朵在从珍珠母到浅粉色的渐变中显露出来，而深色的花朵则通过更具动感的笔触表现出来。

LÊ PHỔ (1907-2001)

LÊ PHỔ (1907-2001) * Fleurs Huile sur toile, signée en bas à gauche 101 x 65.5 cm - 39 3/4 x 25 3/4 in. Une attestation d'inclusion au catalogue raisonné de l'artiste actuellement en préparation par Charlotte Aguttes-Reynier pour l'association des Artistes d'Asie à Paris sera remise à l'acquéreur PROVENANCE Wally F Galleries, New York, Inv. no. 42266 Collection particulière, Etats-Unis (acquis auprès du précédent) Collection particulière

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