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149
ELUARD Paul (1895-1952)
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ELUARD Paul (1895-1952)
L.A.S. "Paul", Monday [February 1933, to Tristan TZARA]| 2 pages in-4:
"Yes, Moissac, St. John, it was very beautiful. Among these mountains, these clouds, this cold and these sick people, I think of it with melancholy. For do not always make the weather beautiful, nor love poems. I also have bad nights, with distorting dreams [...] "My" snow, it "melted"!!!"... He talks about her in the magazine "a.s.d.l.r." Surrealism at the Service of the Revolution, which it is "more and more indispensable" to publish. He talks about costs, prices, covers and composition.
It is sad that Tzara complains about René CREVEL: "He was told that the passage on Doumer prevented him from publishing his book. I had pointed out Renée's kinship with Doumergue, which seemed to her to have something to do with your refusal and your pretext to common friends. On the other hand, he learned from L.P. Quint that you had advised him not to present the manuscript to the N.R.F. on the pretext that this had already been done (Crevel had presented to the N.R.F. another novel, which I know, and which he had given up publishing)" . However, once his disappointment was over, Crevel is working again on his book, which Éluard considers to be his best, "the most serious, the most violent and the most personal"...
He hopes that Tzara will keep an Antitête sur japon for him... The publication of The Poetic Evidence is less and less obvious. "On the other hand, I have written a great poem (great for me - that is 70 verses) with a curious title, a little long. I dream of Arnim's edition of Achim - with a sensational illustrated cover in sensational colours" .
L.A.S. "Paul", Monday [February 1933, to Tristan TZARA]| 2 pages in-4:
"Yes, Moissac, St. John, it was very beautiful. Among these mountains, these clouds, this cold and these sick people, I think of it with melancholy. For do not always make the weather beautiful, nor love poems. I also have bad nights, with distorting dreams [...] "My" snow, it "melted"!!!"... He talks about her in the magazine "a.s.d.l.r." Surrealism at the Service of the Revolution, which it is "more and more indispensable" to publish. He talks about costs, prices, covers and composition.
It is sad that Tzara complains about René CREVEL: "He was told that the passage on Doumer prevented him from publishing his book. I had pointed out Renée's kinship with Doumergue, which seemed to her to have something to do with your refusal and your pretext to common friends. On the other hand, he learned from L.P. Quint that you had advised him not to present the manuscript to the N.R.F. on the pretext that this had already been done (Crevel had presented to the N.R.F. another novel, which I know, and which he had given up publishing)" . However, once his disappointment was over, Crevel is working again on his book, which Éluard considers to be his best, "the most serious, the most violent and the most personal"...
He hopes that Tzara will keep an Antitête sur japon for him... The publication of The Poetic Evidence is less and less obvious. "On the other hand, I have written a great poem (great for me - that is 70 verses) with a curious title, a little long. I dream of Arnim's edition of Achim - with a sensational illustrated cover in sensational colours" .