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TIBET XXe SIECLE
Lot comprising a horn subject (Indonesia) representing Garuda terracing Nagaraja (small missing part at the back of the head)| a terracotta tsatsa representing
Yamantaka and his shakti| this particular shape with three faces on each side and three faces arranged vertically allows us to link this tsatsa to the Gelugpa school (the founder of this school, Tsongkhapa, had received the vision of this deity in a particular form), and a wooden Damaru drum.
The outer faces of the damaru are painted with figures of wrathful deities.
H. 14.8 cm-13.5 cm-8.8 cm
(Small flaws in the subject, tsatsa chips, wear and tear on the drum)
西藏 二十世纪
佛教器物一组
（造像有缺，擦擦有磨损，鼓处有残缺）
Lot comprising a horn subject (Indonesia) representing Garuda terracing Nagaraja (small missing part at the back of the head)| a terracotta tsatsa representing
Yamantaka and his shakti| this particular shape with three faces on each side and three faces arranged vertically allows us to link this tsatsa to the Gelugpa school (the founder of this school, Tsongkhapa, had received the vision of this deity in a particular form), and a wooden Damaru drum.
The outer faces of the damaru are painted with figures of wrathful deities.
H. 14.8 cm-13.5 cm-8.8 cm
(Small flaws in the subject, tsatsa chips, wear and tear on the drum)
西藏 二十世纪
佛教器物一组
（造像有缺，擦擦有磨损，鼓处有残缺）