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BELGIQUE. BEAUX-ARTS.
The item was sold for 7 150 €
Fees include commission and taxes.
BELGIQUE. BEAUX-ARTS.
57 L.A.S. and autograph manuscripts, addressed to Ray NYST, 1914| most with envelope.
Important collection of autobiographical information of
Belgian
painters and sculptors
.
These letters and manuscripts are addressed to Raymond Nyst, known as Ray NYST (1864-1943), and were intended for the preparation of a book or directory of contemporary Belgian artists in 1914, which the war prevented the art critic from completing. Most artists write an autobiographical note, with biographical information, their studies and masters, their career, a list of their main exhibitions and works (often with the name of the collector or museum), sometimes even attempting to define their
aesthetic.
Pierre ABATTUCCI (l.a.s., Ixelles 20 April, and ms of 5 p.). Émile BAES (ms of 2 p., and answers on a letter from Nyst). Alfred BASTIEN (l.a.s., Rouge-Cloître mai, 4 p.). Eugène de BREMAECKER (l.a.s., Brussels 22 April). Émile CLAUS (l.a.s., Arterre 26 April, and ms of 6 p., plus imprint with autogr. additions). Auguste DANSE (l.a.s., Ucle 21 April, 5 p.). Alfred DELAUNOIS (l.a.s., Louvain, and ms of 11 p.). Isidore DE RUDDER (l.a.s., Brussels 25 April, with annotated notice). Auguste DONNAY (2 l.a.s, one of 7 p., Méry mai). James ENSOR (l.a.s et ms with chronology of his main works, Ostend 21 April, 5 p.: "I brought a new understanding of light and a greater sensitivity of vision since I indicated thirty years ago, well before the painters who are now so appreciated in France such as the Vuillard, Bonnard and luminists, all the modern research, all the importance of light and the emancipation of vision. Sensitive and clear-sighted vision not guessed by the French impressionists who remained superficial brushes dedicated to very traditional recipes" ... Etc.). Émile FABRY (l.a.s.). Léon FREDERIC (l.a.s.). Jean GOUWELOOS (l.a.s., Brussels 21 April). Henry de GROUX (l.a.s., Brussels 6 May). Maurice HAGEMANS (l.a.s., 10 p.). Raoul HYNCKX (l.
57 L.A.S. and autograph manuscripts, addressed to Ray NYST, 1914| most with envelope.
Important collection of autobiographical information of
Belgian
painters and sculptors
.
These letters and manuscripts are addressed to Raymond Nyst, known as Ray NYST (1864-1943), and were intended for the preparation of a book or directory of contemporary Belgian artists in 1914, which the war prevented the art critic from completing. Most artists write an autobiographical note, with biographical information, their studies and masters, their career, a list of their main exhibitions and works (often with the name of the collector or museum), sometimes even attempting to define their
aesthetic.
Pierre ABATTUCCI (l.a.s., Ixelles 20 April, and ms of 5 p.). Émile BAES (ms of 2 p., and answers on a letter from Nyst). Alfred BASTIEN (l.a.s., Rouge-Cloître mai, 4 p.). Eugène de BREMAECKER (l.a.s., Brussels 22 April). Émile CLAUS (l.a.s., Arterre 26 April, and ms of 6 p., plus imprint with autogr. additions). Auguste DANSE (l.a.s., Ucle 21 April, 5 p.). Alfred DELAUNOIS (l.a.s., Louvain, and ms of 11 p.). Isidore DE RUDDER (l.a.s., Brussels 25 April, with annotated notice). Auguste DONNAY (2 l.a.s, one of 7 p., Méry mai). James ENSOR (l.a.s et ms with chronology of his main works, Ostend 21 April, 5 p.: "I brought a new understanding of light and a greater sensitivity of vision since I indicated thirty years ago, well before the painters who are now so appreciated in France such as the Vuillard, Bonnard and luminists, all the modern research, all the importance of light and the emancipation of vision. Sensitive and clear-sighted vision not guessed by the French impressionists who remained superficial brushes dedicated to very traditional recipes" ... Etc.). Émile FABRY (l.a.s.). Léon FREDERIC (l.a.s.). Jean GOUWELOOS (l.a.s., Brussels 21 April). Henry de GROUX (l.a.s., Brussels 6 May). Maurice HAGEMANS (l.a.s., 10 p.). Raoul HYNCKX (l.