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MISSALE ROMANUM
Summa revisum diligentia, ac novissime impressum, duas in partes distinctum. Venice, Heirs of Luke Antony Junta, 1564. In-folio, red morocco on ais, cold decoration consisting of a wide border of Aldine irons intersecting to form a central diamond of four spandrel compartments, with a figure of Jesus Christ in the centre, brass clasps, lining of handwritten leaves (period binding).
Beautiful missal printed in black and red on two columns, decorated with a multitude of initials and 213 woods of various sizes, the largest
being 20 lines
high
.
Full wood at the beginning of the text, depicting the Crucifixion, repeated at the head of the Canon, the first page of which is placed in a frame composed of beautiful
historiated
woods
.
Junta's type mark printed in red on the title and on the colophon. Music noted
.
Marginal wetness reaching the bottom of the first 30 leaves. Restorations at the bindery.
Summa revisum diligentia, ac novissime impressum, duas in partes distinctum. Venice, Heirs of Luke Antony Junta, 1564. In-folio, red morocco on ais, cold decoration consisting of a wide border of Aldine irons intersecting to form a central diamond of four spandrel compartments, with a figure of Jesus Christ in the centre, brass clasps, lining of handwritten leaves (period binding).
Beautiful missal printed in black and red on two columns, decorated with a multitude of initials and 213 woods of various sizes, the largest
being 20 lines
high
.
Full wood at the beginning of the text, depicting the Crucifixion, repeated at the head of the Canon, the first page of which is placed in a frame composed of beautiful
historiated
woods
.
Junta's type mark printed in red on the title and on the colophon. Music noted
.
Marginal wetness reaching the bottom of the first 30 leaves. Restorations at the bindery.