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CAMUZIO (Andrea).
De amore atque felicitate libri novem. Vienna, Stephen Kreuzer, 1574. In-folio, brown calf, twisted border and double fillets in the frame, gilt fleuron at the corners, arabicising style cartouche in the centre, six-line super-libris on the first cover, remnants of links, spine decorated (contemporary binding).
Original edition of this treatise on metaphysics composed by Andrea Camuzio (Camutius in Latin), physician to Emperor Maximilian II in Vienna and professor of Greek and Latin, who
died in 1578
.Ex-libris manuscript from the library of the monastery of the Virgin Mary of Gars (near Grasse in the Alpes-Maritimes
).
very attractive binding of the time, most certainly Austrian, bearing on the first plate a super-libris indicating that the book belonged to a gentleman named Gervasius Fabrici, Doctor of Laws from Salzburg
.
The two autograph sheets are detached. Wormholes on the counter plates and the binding, having in particular weakened the edge of the second plate, and touching the margins of the volume. Hair pulled out.
De amore atque felicitate libri novem. Vienna, Stephen Kreuzer, 1574. In-folio, brown calf, twisted border and double fillets in the frame, gilt fleuron at the corners, arabicising style cartouche in the centre, six-line super-libris on the first cover, remnants of links, spine decorated (contemporary binding).
Original edition of this treatise on metaphysics composed by Andrea Camuzio (Camutius in Latin), physician to Emperor Maximilian II in Vienna and professor of Greek and Latin, who
died in 1578
.Ex-libris manuscript from the library of the monastery of the Virgin Mary of Gars (near Grasse in the Alpes-Maritimes
).
very attractive binding of the time, most certainly Austrian, bearing on the first plate a super-libris indicating that the book belonged to a gentleman named Gervasius Fabrici, Doctor of Laws from Salzburg
.
The two autograph sheets are detached. Wormholes on the counter plates and the binding, having in particular weakened the edge of the second plate, and touching the margins of the volume. Hair pulled out.