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999-CAT-MAQ6-OC_paru20231218_BD0.pdf

Œuvres Choisies I Art Moderne Et Contemporain Chinois & Art Contemporain

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ZENG Yilu 曾一橹 (1896 - 1989) The Temple, 1934 Oil on canvas, signed and dated lower right 寺庙 布面油画 53.5 x 54 cm - 21 x 21 1/4 in. Oil on canvas, signed lower right Provenance : Center de la France The work is on its original canvas. A few fine cracks are visible to the eye. A recent maintenance restoration has restored the work to its former glory. Cleaning has revealed the original palette. Tension bands have been applied to the edges to consolidate attachment to the stretcher. A small tear on one edge and slight missing spots have been treated and are visible under fluorescent light (the restorer's technical report is available). The work is on its original canvas. A few fine cracks are visible to the eye. A recent maintenance restoration has given the work back its full lustre. Cleaning has revealed the original palette. Tension bands have been applied to the edges to strengthen the attachment to the stretcher. A small tear on one edge and slight missing parts were treated are visible under fluorescent light . (The restorer's technical report is available).

ZENG Yilu 曾一橹 (1896 - 1989) 寺庙》，1934 年 布面油画，右下方有签名和年代 寺庙 布面油画 53.5 x 54 厘米 - 21 x 21 1/4 英寸 布面油画，右下方有签名 出处 ： 法国中心 作品为原装帆布。 画布上有一些细小的裂纹。 最近的一次维护修复使作品恢复了昔日的光彩。通过清洁，可以看到原来的调色板。为了加强与画框的连接，在画框边缘使用了张力带。作品边缘的一个小裂口和轻微的缺失点已经过处理，在荧光灯下清晰可见（可提供修复师的技术报告）。 作品是在原画布上完成的。 肉眼可见一些细小的裂缝。 最近的一次维修修复使作品重现光彩。通过清洁，可以看到原来的调色板。为了加强与担架的连接，在边缘处使用了张力带。在荧光灯的照射下，可以看到一条边缘上的小裂缝和轻微的缺失部分。(可提供修复师的技术报告）。

ZENG Yilu 曾一橹 (1896 - 1989)

ZENG Yilu 曾一橹 (1896 - 1989) Le temple, 1934 Huile sur toile, signée et datée en bas à droite 寺庙 布面油画 53.5 x 54 cm - 21 x 21 1/4 in. Oil on canvas, signed lower right Provenance : Centre de la France L'oeuvre est sur sa toile d'origine. Quelques fines craquelures sont visibles à l'oeil. Une restauration d'entretien récente a permis de rendre à l'oeuvre tout son éclat. Le nettoyage a permis de dévoiler la palette d'origine. Des bandes de tension ont été posées sur les bords afin de consolider la fixation sur le châssis. Une petite déchirure sur un bord et de légers manques ont eté traités et sont visibles à la lumière fluorescente (le rapport technique du restaurateur est disponible). The work is on its original canvas. A few fine cracks are visible to the eye. A recent maintenance restoration has given the work back its full lustre. Cleaning has revealed the original palette. Tension bands have been applied to the edges to strengthen the attachment to the stretcher. A small tear on one edge and slight missing parts were treated are visible under fluorescent light . (The restorer's technical report is available).

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SANYU 常玉 (1895-1966) Standing female nude 站立的裸女 Ink on paper 纸本水墨 Ink on paper 45 x 28 cm - 17 3/4 x 11 in. Provenance Sale of the Sanyu workshop, Drouot, Paris, 1966 Collection Michel Habart, Paris (acquired at previous sale) Private collection, Paris (inherited from previous owner) Bibliography Rita Wong, Sanyu Catalogue raisonné: drawings and watercolors - electronical index of drawings, Taipei, 2014, n°D0147, repr. The sheet is slightly yellowed and creased. Some superficial fold marks. The leaf is slightly yellowed and creased. Some superficial fold marks.

SANYU 常玉 (1895-1966) 站立女性裸体 站立的裸女 纸上水墨 纸本水墨 纸本水墨 45 x 28 厘米 - 17 3/4 x 11 英寸 出处 巴黎德鲁奥常玉工作室拍卖会，1966 年 米歇尔-哈巴特收藏，巴黎（在之前的拍卖会上购得） 私人收藏，巴黎（来自前主人的遗产） 参考书目 Rita Wong，《常玉作品图录：素描和水彩画--素描电子索引》，台北，2014 年，编号 D0147，再版，北京，中国美术馆，2011 年，编号 D0150。 叶片略有泛黄和折痕。折痕不明显。 叶片略微泛黄，有折痕。有些表面折痕。

SANYU 常玉 (1895-1966)

SANYU 常玉 (1895-1966) Nu féminin debout 站立的裸女 Encre sur papier 纸本水墨 Ink on paper 45 x 28 cm - 17 3/4 x 11 in. Provenance Vente de l'atelier Sanyu, Drouot, Paris, 1966 Collection Michel Habart, Paris (acquis à la vente précédente) Collection privée, Paris (par succession du précédent) Bibliographie Rita Wong, Sanyu Catalogue raisonné : drawings and watercolors - electronical index of drawings, Taipei, 2014, n°D0147, repr. La feuille est légèrement jaunie et froissée. Quelques marques de pliures superficielles. The leaf is slightly yellowed and creased. Some superficial fold marks.

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AMAR NATH SEHGAL (1922 - 2007) Apathie/Apathy, 1961 Bronze, signé et numéroté 1/5 au dos Bronze, signed and numbered 1/5 on reverse 53 x 39 x 17 cm 20 55/64 x 15 23/64 x 6 11/16 in. PROVENANCE Collection privée, Paris EXPOSITIONS (oeuvres similaires) - Haus am Lützowplatz August 1965, One man show - Koninklijke Musea Voor Kunst En Geschiedenis, Brussel, February 1966, one man show - Wiener Secession, 0ctober 1966 - MOMA Paris, 1965, One man show - Luxembourg, MNAHA, 1966 Nous remercions Madame Mandira Row, de la Amarnath Sehgal Private Collection, pour les informations qu'elle nous a aimablement communiquées.

AMAR NATH SEHGAL (1922 - 2007)

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BAO VUONG (né en 1978) The Crossing XXXIII, 2021 Oil and acrylic on canvas, signed, dated and titled on back 150 x 160 cm PROVENANCE Private collection, Paris

BAO VUONG (né en 1978) 穿越三十三号》，2021 年 布面油彩和丙烯，背面有签名、年代和标题 150 x 160 厘米 出处 私人收藏，巴黎

BAO VUONG (né en 1978)

BAO VUONG (né en 1978) The Crossing XXXIII, 2021 Huile et acrylique sur toile, signée, datée et titrée au dos 150 x 160 cm PROVENANCE Collection privée, Paris

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