Auction
GUARNERI "DEL GESU", THE OTHER STRADIVARIUS, A JEWEL OF A VIOLIN TO BE AUCTIONED FOR €4 00 - €4.5m


 
Owned by Régis Pasquier, no Guarneri "Del Gesù" violin from the golden period has come to auction this century. On Friday 3 June 2022, Aguttes Auction House will be presenting this extremely rare violin that has belonged to Régis Pasquier for more than twenty years and has accompanied him in the world’s most prestigious concert halls.


Crafted in Cremona, Italy, the cradle of violin making in 1736, by the legendary Bartolomeo Giuseppe Guarneri, called "del Gesù", this extremely rare instrument, which belonged to the great violinist Régis Pasquier will go on sale at Aguttes on 3 June 2022. No Guarneri "del Gesù" violin has been auctionned for over a decade, and no Guarneri "del Gesù" from the middle period, the age of full maturity of the violin maker, has been acquired in any auction house in the 21st century.





Bartolomeo Giuseppe GUARNERI "del Gesù" (1698 - 1744)
Cremonea, 1736

Measurement on the back: 351 mm
Estimate: €4 million - 4.5 million  
 
This instrument, complete in all its main parts, has a beautiful one-piece flamed maple back. The two-piece soundboard is made of regular fine pored spruce. The scroll and splint are made of regular medium wave maple, and the varnish is orange-brown on a gold background.
 

"We are greatful to have the priviledge to offer this exceptionnal instrument at auction and to pursue its story by finding it a new owner." Florent Boyer, expert



First time a Guarneri "del Gesù" from the middle period is to be auctionned in the 21st century.


The old wood offers a unique sound quality because the instrument has oxidised over time: there is a kind of vibration that finds its way into the piece of wood. This is how the years improve the instrument, like good wine. The "Pasquier" belongs to the middle period, which contains some of the most attractive works of the prestigious violin maker, and for the first time since the beginning of the 21st century, a "del Gesù" from the violin maker's most mature period (1730 - 1740) will be offered at auction. Moreover, it has been more than 10 years since a violin by this famous maker has been auctioned.


Comparison with a Stradivarius.



Bartolomeo Giuseppe "del Gesù" Guarneri, and Antonio Stradivari or "Stradivarius" are the two greatest violin makers of all time. Contemporary and great rival of Antonio Stradivari, Guarneri "del Gesù" marked his production with IHS (Iesus Hominem Salvator) and a trefoil Greek cross. His first known independently produced instruments are from the 1720s, but his IHS label did not appear until 1731. The 1730s represent the highest point of his career and expertise. "The 'King Joseph of 1737' is a particularly important part of this, and his later instruments display the qualities most characteristic of his unique vision. 

Some 650 Stradivarius instruments are known to exist, while only about 150 Guarneri "del Gesù" instruments have been identified. The latter crafted violins and a cello. Moreover, Guarneri "del Gesù", born in 1698, ended his career in 1744, whereas Stradivarius, born in 1644, ended his career in 1737, and the violin offered at auction dates from the middle of Guarneri's career.

The quality and scarcity of his instruments have led to prices up to millions of american dollars. This instrument, complete in all its main parts, has a beautiful one-piece flamed maple back. The two-piece soundboard is made of regular fine pored spruce. The scroll and splint are made of regular medium wave maple, and the varnish is orange-brown on a gold background.

Stradivarius and Guarnerius produce very different, almost incomparable sounds: the "del Gesù" violins retain their sweetness but have an unequalled depth and darkness of sound that some players prefer. Indeed, much of his posthumous fame relies on Paganini, who considered the 'Cannon of 1743' his most expensive instrument.

A certificate from Mr. Charles Beare, 'the world's most esteemed authenticator' according to The New York Times, accompanies Régis Pasquier's Guarnerius.



Régis Pasquier and "Del Gesù" meet : a true revelation.


Régis Pasquier played the "del Gesù" in public, for the first time, during the Folles Journées de Nantes, over twenty years ago, in a Double concerto for violin and cello by Brahms with Trul Morks at the cello, broadasted by the channel Arte.

His encounter with the instrument happened the day before; Régis Pasquier remembers the true revelation that the outstanding sound power of the "del Gesù" was for him, during the test session at the Salle Gaveau among a selection of 8 famous violins: at the moment of the contact between the bow and the strings, the resonance of the wooden body turned out to be immediately different and projected the sound considerably further, thus offering the possibility to play it in very large concert halls. "This instrument sounds on its own; it has an exceptional resonance," says the musician. The artist still recalls, with wonder: "Something extraordinary coming out of such a small instrument! The audience was able to give each violin a grade, and our instrument received by far the highest score. The violinist was immediately won over and secured his wife's support; she encouraged him to buy it. He decided to play it in concert the very next day without giving himself time to tame the instrument, so much so the osmosis with the violin seemed obvious.



A violin that has travelled the world.


A violin prodigy, Régis Pasquier has toured the world with his "del Gesù" for over 20 years. Many internationally renowned stages - Carnegie Hall (New York), Suntory Hall (Tokyo), Teatro Cólon (Buenos Aires), Opera House (Sydney), Guangzhou Opera House (Canton), Grand Théâtre (Quebec), Théâtre des Champs-Elysées, Opéra Garnier, Salle Pleyel... - have welcomed this great violinist and his faithful companion, who have given an average of 70 concerts each year.





Régis PASQUIER (born in 1945)
and his "del Gesù"



 
The musical outreach of Regis Pasquier’ violin is also to be found in his discography including recordings alongside famous partners : great Concertos – Mozart under P. Bartholomée’s conducting, Saint-Saëns under A. Lombard’s conducting, Tchaïkovski under E. Leducq-Barôme’s conducting – as well as chamber music repertoire : Beethoven Sonatas with Jean-Claude Pennetier, which were awarded a « Music Victory », Tchaikovsky/Chostakovitch Trios and Rachmaninov Trios with the Pasquier, Pidoux, Pennetier Trio, Debussy and Fauré Sonatas for Piano and Violin with Emmanuel Strosser, Poulenc Sonatas with Emile Naoumoff...

Some of these recordings even involve several prestigious instruments: the Mozart concertos were recorded on a Montagnana violin, a Stradivarius and the "del Gesù"; the recording of the Beethoven sonatas, which took place over a long period of time, involved a Stradivarius and the violin that will be sold on 3 June 2022. From the moment Régis Pasquier bought it, the "del Gesù" contributed, thanks to its incomparable sound, to the dazzling reviews:


 

"Beyond the technical performance, Régis Pasquier has privileged the smiling or warm lyricism of this concerto, the bravura of its allegro, the expressive cantabile of the adagio before giving free rein to the voluble theme of the final rondo (...) the 17th caprice for solo violin allowing to appreciate even more the sound of Régis Pasquier's Guarneri del Gesù" L'Alsace, J. Mona - February 1998



And this, both in concert and on record, throughout the years:

 

"...Régis Pasquier played... with old-fashioned virtuosity, great breath, a generous and unctuous sound that floated in space with power and projected with ease..." Sydney Morning Herald, Peter McCallum - November 2003

 

"The soloist displays (...) the warm sound of his Guarneri del Gesù". Diapason 2008 - about Tchaïkovski's concerto

 


Another sacred monster is reputed to have played this violin, before Régis Pasquier, for a concert: David Oïstrakh, one of the most illustrious violinists of the 20th century!


An outstanding violin for an exceptionnal artist.


As early as 14, Regis Pasquier was already invited as a soloist for a tour alongside the greatest american orchestras. Born in Fontainebleau, France, the young prodigy is given his first violin at the age of 4. When his father offers him his first violin, made out of iron, the young Régis flattened it with a hammer because this instrument looked too much like a toy. The child wished for a real instrument : this is what his parents, who taught at that time at the American School of Art of Fontainebleau, finally gave him.

With a derogation, Régis Pasquier entered the Paris Conservatoire at the age of 9 and graduated at 12 with a First Prize in violin and chamber music. His encounter with two legendary artists, Isaac Stern and Zino Francescatti, had a considerable impact on his career.

The latter gave Régis Pasquier the opportunity to enter the most prestigious agency in North America: Columbia Artist Management Inc., which led him to travel the United States for 20 years, where he was in demand as a soloist by all the major North American orchestras: he performed conducted by the most prestigious conductors, in the first place Lorin Maazel, with whom he toured around the US, but also Georges Prêtre, Leonard Bernstein, Alain Lombard, Michel Plasson, Jean-Claude Casadesus… Chambers music he played together with, Isaac Stern, stislav Rostropovitch, Menahem Pressler, Leonard Rose, Jean-Pierre Rampal, Murray Perahia, Paul Tortelier... 
 

"... A triple virtuosity exercise for Régis Pasquier, who was awarded the title of "best violinist in the world" by conductor Michel Plasson after he performed the "Introduction and Rondo Capriccioso" by Saint-Saëns more than 5 times in a row during the Besançon International Conducting Competition" L’Est républicain


















Régis PASQUIER (born in 1945)
and "del Gesù"




The delicate choice of a violin or the quest for the ideal sound.
 
As a young artist, the violinist works generally practices on a standard instrument, but he is already looking after a violin of upper sound quality. Later on, the musician frequenntly owns 2 or 3 violins, and he keeps looking for a better one. This is the reason why he almost inevitably starts searching for older instruments, but these appear quite difficult to find. This quest for the perfect instrument is also the quest for an ideal sound, the key to fulfilment for the artist. Unlike a pianist who changes instrument at each concert, the violinist almost always plays the same one:

 

"You live, day and night, with your violin, and you know it in its every corner." Régis Pasquier



The encounter with the "del Gesù" was for Régis Pasquier the outcome of his own quest for sound fullness and artistic ideals, which had previously led him to play other great  instruments, but which the "del Gesù" really fulfilled.



New-York Post
January 15, 1976




His Master’s voice, or the legacy of Isaac Stern. 


On France Musique (French national radio channel), Régis Pasquier shared on Judith Chaine’s mic, on March 1st, 2022 : "I had an encounter that I would qualify as "surging ", the one with Isaac Stern ". The american violinist also owned two violins from the same craftman as the one Régis Pasquier is parting with today. One of the most illustrous representatives of the first musician generation entirely educated in the United States, Isaac Stern played two Guarnerius, the "Vicomte de Panette 1737 ", which today belongs to Renaud Capuçon, and the "ex-Ysaÿe" from 1740. It is Isaac Stern who taught Régis Pasquier the sound material or the art of creating a sound. Deeply influenced by the warm and powerful sound of his master, Régis Pasquier sought a filiation with this sound when he played in turn a Stradivarius and then a Montagnana, before acquiring the "del Gesù", whose timbre and projection power immediately seduced him.


Violin and transmission : the desire to see it played by the young generation
 
By parting with its violin, Régis Pasquier is above all taking part of in a transmission process to the next generation. It is important for him to hand over to young musicians of today, by giving them the possibility of discovering the instrument and contributing to the diffusion of its outstanding sound potential that already crossed the centuries. A true transmission story !

Although a violin of such quality as the "del Gesù » obviously is in itself a beautiful work of art, still its primary function is to make a sound; Régis Pasquier by the way insists on the important role of collectors, thanks to whom unique instruments are handed over to us and can be played by the greatest. He thus believes that an instrument such as "del Gesù" deserves respects and that it is time for him to entrust another musician with this violin, to keep it alive. In order to prepare to this painful breakup, Régis Pasquier is getting acquainted with a beautiful violin of the most special French craftmenship, from the 1800s. The artist points out the fusion between the musician and the instrument :


 

"There is an intimacy, between the musician and the violin : the object is going to create your expression, your voice". Régis Pasquier







VIOLINS & BOWS
 

Auction 
Friday, June 3, 2022

Exhibition by appointment from Monday, May 30 to Thursday, June 2, 2022

Aguttes Neuilly

Expert
Serge and Florent Boyer, violin makers and experts at the Court of Appeal of Paris 

Sophie Perrine 
Licensed auctioneer
+33 1 41 92 06 44 • perrine@aguttes.com