Johan-Barthold JONGKIND (1819-1891)

Lot 12
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Estimation :
18000 - 25000 EUR
Result with fees
Result : 41 600EUR
Johan-Barthold JONGKIND (1819-1891)
Effet de lune, 1866 Oil on canvas, signed and dated lower right 33 x 43 cm - 13 x 16 in. The work presented here dates from another period in his life. In 1860, he started to visit the Normandy coast regularly. He then met Eugène Boudin and Claude Monet, with whom he became friends, and together they painted the landscapes of Le Havre, Harfleur, Saint-Valéry-en-Caux and the surrounding area. This was the time when his role as the forerunner of Impressionism became truly established. As can be seen from this work, he had a marvellous feeling for light. Here he makes play with the rays of the moon, which is reflected delicately in the water and whose light is scattered over a slightly cloudy sky. Monet later asserted that he owed the «ultimate schooling of his eye» to Jongkind. The Dutch artist Johan-Bartold Jongkind spent most of his life in France. After studying at the Royal Academy of Art in The Hague, he started out painting seascapes and village scenes, like the great masters of the Dutch Golden Age. He moved to Paris in 1846, where he mixed with the painters of the Barbizon School, and gradually moved away from his cultural heritage. He began to look at the French capital with a fresh eye, and developed a new way of painting. Keen to depict Paris from life, he would produce sketches and watercolours on site outdoors, then use them as a basis for studio paintings. Like freeze frames, his works then were marked by close-up views and sharply depicted scenes, and were genuine records of industrial modernity and urban life in that time. He rapidly made a name for his mastery of light as well. In the 1870s, Jongkind withdrew to the Dauphine region. Far from the frenzy of the city, the sea and the art world, his painting changed. Putting landscapes into more perspective, while giving them their due, he focused on the play with colour and contrast that became the real subject of his paintings. By the end of his career he wa
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