ARMAND GUILLAUMIN (1841-1927) - Lot 36

Lot 36
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20000 - 30000 EUR
ARMAND GUILLAUMIN (1841-1927) - Lot 36
ARMAND GUILLAUMIN (1841-1927) Height of the Sédelle, Creuse, 1895 Oil on canvas Signed lower right Located 'Hauteur de la Sédelle' and dated '18 9bre 95/Matin' on the back (Restorations with pieces on back) Oil on canvas, signed lower right, located 'Hauteur de la Sédelle' and dated '18 9bre 95/Matin' on the reverse 54 x 73 cm - 21 1/4 x 28 3/4 in. A certificate of inclusion in the second volume of the Armand Guillaumin catalog raisonné, drawn up by the Comité Guillaumin and dated September 28, 2020, will be given to the purchaser. Provenance - Galerie Aittouarès, Paris - Impressionist & Modern Art Day Sale, Christie's, New York, May 14, 2021, lot 579 - Private collection, France (acquired at previous sale) Note "For Guillaumin, the Creuse was the land of choice, because its harsh character, full of scattered delicacies and intimate joy, is in perfect harmony with our painter's strong but delightfully sweet temperament, and also because Guillaumin's mountain heredity is at home in this rugged country. You only have to look at him to recognize him as a man of the Massif Central. His powerful, swollen, voluminous head, which immediately gives off a feeling of energy and obstinacy, is reminiscent of the basaltic crests over there. The clear blue of his fine, gentle, frank gaze recalls the transparent waters that rush down from the peaks, caressing the mossy rocks that clog the creek beds and the old trees along the banks. Finally, despite fifty years in Paris, his gait remains that of a mountain man climbing a hill. And so, as soon as he was able to regain possession of this land from which his family originated, he quickly grasped its solid structure, its alternately severe and charming beauty, its poetry sometimes full of grandeur, sometimes exquisitely graceful! It was here, above all, that he was able to demonstrate his gifts of strength and delicacy. It was in this turbulent country, with its distant vistas of tangled peaks and plateaus, that he revealed himself to be the robust, powerful land-builder that he is. Among all the personal merits that distinguish him, this is perhaps his most characteristic originality. Guillaumin loves the majestic beauty of wide-open spaces of mountains and plains stretching to infinity, glimpsed through a gorge in the foreground, beyond the ravine whose leafy mystery he depicts. He loves the vast plateaus spread out in full light, crowning narrow valleys all sonorous with the crash of torrents, giving backgrounds of admirable variety and depth. It is, in a great charm of light, in a very rich range of colors, a succession of shots, of a sure balance and magnificently connected." Georges Lecomte, Guillaumin, Paris: Les Éditions Bernheim-Jeune, 1926, pp. 38-40
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