COYPEL Charles-Antoine (1694 - 1752)

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COYPEL Charles-Antoine (1694 - 1752)
Autograph manuscript Les trois frères ou l'école de tout le monde, comedy in five acts and in prose; 123 pages in 5 booklets small in-4 (22,8 x 18 cm) in cardboard (wetnesses in the top of the ff.) autograph Autograph manuscript of this unpublished comedy. The painter and engraver Charles-Antoine Coypel was also a playwright, and was director of the Royal Academy of Music; only one of his forty or so plays was published, Les Folies de Cardenio. The duke of La Vallière had a manuscript of Charles Coypel's Théâtre Coypel, in 6 volumes in-4, gathering 21 plays (n° 3463), of which (12) Les Trois Frères : "All these plays of Charles Coypel, of a family fertile in Painters, died in 1752, were not printed. He was very jealous not to make them public, & it is by a proof of the greatest confidence that M. le Duc de la Vallière had a copy of all those he admitted." The three brothers are the miserly Argante, the prodigal Dorval, and the virtuous Florisel, under the name of Lisidor; the other actors are Damis, son of Argante, and Julie, daughter of Dorval, and her suitor Lisette; valets, a horse dealer, a saddler, and the Jew Zacharie. The scene is in Paris, at Argante's house. The manuscript presents some erasures and corrections, one of which is fixed on the original version. It opens with a "Preliminary observation: "Reader, you should not expect to find here great movements, great passions, many theatrical games, nor these tears and these recognitions brought with art and suitable to make you melt in tears. The comedy I am presenting to you is one of those character pieces in which there is usually neither much to laugh at nor much to cry about, and where all the action, all the intrigue, is drawn from the depths of the subject and the character of the characters. This one is really very down to earth, and without spirit, when one does not have, to rise, the wings of genius, it is necessary to crawl, and consequently, will say to me your it is necessary to abstain from presenting it to the public; that can be, seen and judged. In any play, in the 1st act is the exposition, in the 2nd the intrigue begins, in the 3rd it is tied up, in the 4th it is blurred, and it is tied up in the 5th, see if I followed this procedure. This piece is a bit long, because there are 3 characters to develop together. The moral goal is to show that the passions to which one gives oneself up to choke in us the feelings of nature".
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