LÊ QUỐC LỘC

Lot 6
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Estimation :
300000 - 400000 EUR
Result with fees
Result : 445 800EUR
LÊ QUỐC LỘC
Les rapides de Cho Bo, 1942 Lacquer screen with gold highlights, six panels, signed and dated lower right 100 x 32,7cm - 39 3/8 x 12 7/8 in. Today, some of Le Quoc Loc’s works are held in the collections of the Vietnam Museum of Fine Arts. The screen presented here is made up of six panels and uses traditional colors. With great mastery, the artist arranges several planes and gives relief and depth to the magnificent landscape that takes shape before our eyes. Under the golden sky of a bright dawn, the morning mist rises and lets the mountains appear in the distance. The warm palette emphasizes the subtle nuances of the composition, forming a remarkable ensemble. The golden leaves mingle with the red clusters of lush vegetation on the left side. A touch of blue catches our attention and we follow closely the two figures carrying baskets as they hurry through the jungle towards an invisible pier. The boat approaches, is it not the one that will lead them to the market? At the foot of the mountains, the houses’ roofs can be seen through the mist and shine gently in the sun. All the lines in this work are treated with virtuosity and precision, bringing the artist to the height of his mastery. Quoc Loc offers through this landscape a unique representation where the symbiosis between human nature and vegetation is beautifully harmonious. LÊ QUỐC LỘC  Vietnamese painter with undisputed talent, born on October 20, 1918 in Hung Yên, Lê Quốc Lộc is an artist who graduated in 1942 from the twelfth class of the School of Fine Arts of Indochina. He was part of the technique and art of lacquer section. Concerned with political life, he joined and became a revolutionary activist during the Indochina War. As early as 1945, Lê Quốc Lộc worked for the North Vietnamese Department of Propaganda Paintings, before joining the Vietnamese Association of Arts and Crafts in 1955. Between 1959 and 1967, Lê Quốc Lộc was appointed deputy director of the Gia Dinh School of Applied Arts in southern Vietnam. He actively participated in the training of young artists, particularly in the fields of lacquer and ceramic painting, his favorite disciplines. Lê Quốc Lộc’s works are the result of a clever mix between lyricism and nature. They aim to highlight the Vietnamese culture which is dear to him. Considered one of the greatest master lacquerers of Vietnam, the screen presented today is the perfect illustration of the artist’s talent. In 2000, posthumously, Lê Quốc Lộc was awarded the Hồ Chí Minh Prize for Literature and Art for his works The Old (Lacquer, 1957), The Light Comes (Lacquer) 1956), Resistance to Desert (Lacquer, 1958), Peace to Hold (Lacquer, 1962) and From the Dark (Lacquer, 1982)
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