Aurélie Nemours (1910-2005)

Lot 71
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Estimation :
25000 - 35000 EUR
Result with fees
Result : 33 800EUR
Aurélie Nemours (1910-2005)
Céphée, 1969 Oil on canvas, signed, dated and titled on reverse 92 x 73 cm 36 1/4 x 28 3/4 in. PROVENANCE Galleria Melesi, Italie Acquired by a former owner from the company around 1970. Vente Christie's, 11-12 décembre 2007 Private collection, Neuilly-sur-Seine Aurélie Nemours Born in 1910 in Paris, Aurélie Nemours was a French artist and painter. She quickly became interested in art and took Egyptian and Byzantine art classes at the Louvre school from 1929 onwards. In 1941 she enrolled at the Académie of André Lhote, after studies at the studio of the graphic artist Paul Colin. She exhibited for the first time at the Salon d'Art Sacré in 1946. Between 1948 and 1951, she regularly attended Fernand Léger's studio. Her meeting with the Belgian painter and art critic Michel Seuphor was decisive for her career as an artist. He introduced her to the work of Piet Mondrian, as yet unknown to her: a discovery that powerfully influenced her and encouraged her along the path to abstraction she had now chosen. Seuphor was also behind her first solo exhibition at Colette Allendy's in 1953, which was well received by the public at the time. She joined several artistic groups, notably the ESPACE group in France and the Mesure group in Germany. Through her work, Aurélie Nemours comprehensively demonstrated how, in her view, geometric abstraction was the artistic expression that most speakingly characterised the 20th century. As early as the 1960s, the square occupied a central place in her compositions. Cephea, the work we are presenting, takes us to the heart of this pivotal period in the artist's output. She created her works by orienting her painting towards horizontal and vertical lines in a real mathematical construction. She also worked on colour in a subtle way, on the vibrations of black and white and later on the monochromes she conceived as polyptychs. She aspired to a sense of monumentality and so d AC2021
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